Delphine Seyrig stars in the landmark film by Chantal Akerman

Blu-ray/DVD: ‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ on Criterion

“A singular work in film history,” begins the description on back of the case of Criterion’s release of Chantal Akerman’s astounding Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (France, 1975). That is no hyperbole. Jeanne Dielman is a painstaking, excruciatingly exacting portrait of the life of a perfectly organized homemaker, an epic portrait of […]

Carroll Baker and Ralph Meeker in the film by Jack Garfein

Blu-ray: ‘Something Wild’ – a 1962 rediscovery on Criterion

Not to be confused with the Jonathan Demme screwball comedy/thriller by the same name, the 1962 Something Wild (Criterion, Blu-ray, DVD) is an unusually frank and sensitive drama about a teenage girl recovering from rape. The film opens on the assault, a non-explicit scene that communicates both the violence of the rape and the terrible […]

Cary Grant and Rosalind Russell in the film by Howard Hawks

Blu-ray: ‘His Girl Friday’ vs. ‘The Front Page’ on Criterion

His Girl Friday (Criterion, Blu-ray, DVD) should really be listed as a double feature, for the “bonus” movie—a new edition of the original screen version of The Front Page, adapted from the snappy, cynical, double-barrel Broadway hit by Ben Hecht and Charles MacArthur—is not just a home video debut but a major discovery. The Front […]

Rita Hayworth, Glenn Ford, and George Macready, directed by Charles Vidor

Rita Hayworth is ‘Gilda’ on FilmStruck and Criterion Blu-ray/DVD

Rita Hayworth is at her most iconic as the forties sex-bomb in Gilda (1946), a film noir classic co-starring Glenn Ford as Johnny Farrell, an American tough guy in Buenos Aires, and George Macready as Ballin Mundson, the owner of a nightclub and illegal casino who hires Johnny as his club manager. Just as in […]

Adam Sandler and Emily Watson star in Paul Thomas Anderson's offbeat romantic comedy

‘Punch-Drunk Love’ on Amazon Prime and Criterion Blu-ray/DVD

Paul Thomas Anderson, fresh off the critical successes of Boogie Nights and Magnolia, wrote Punch-Drunk Love (2002) for Adam Sandler while he was riding high on the success of doofus comedies. He channels the familiar Sandler personas—the meek boy-man, the repressed powerkeg who explodes with uncontrollable rage, the mumble mouth goofball, the socially retarded misfit—into […]