Alain Delon stars in the Jean-Pierre Melville French crime film classic

Jean-Pierre Melville’s ‘Le Samourai’ on Criterion Channel

Alain Delon is the coolest killer hit the screen, a film noir loner for the modern era, in Jean-Pierre Melville’s austere 1967 French crime classic Le Samourai (France, 1967). Delon’s impassive hitman Jeff Costello is a professional’s professional, an assassin with a face of stone, nerves of ice, and the patience of a monk. He […]

Sean Connery and Michael Caine star in John Huston's adaptation

‘The Man Who Would Be King’ on FilmStruck

The Man Who Would Be King (1975) – John Huston originally wanted to make a film of Rudyard Kipling’s grand adventure in the late 1950s with Humphrey Bogart and Clark Gable in the leading roles. It would’ve made a hell of a picture. And, as a matter of fact, it did, only with Sean Connery […]

Patricia Neal, John Garfield, and Juano Hernandez in a film by Michael Curtiz

Blu-ray: ‘The Breaking Point’ on Criterion

The Breaking Point (1950), the second of three big screen adaptations of Ernest Hemingway’s To Have and Have Not, stars John Garfield as Harry Morgan, the role that Humphrey Bogart played in the original. The Howard Hawks film took great liberties with Hemingway’s story. This version is more faithful but takes its own liberties. Harry […]

Joan Crawford in Nicholas Ray's cult western Johnny Guitar

Frontier women rule in ‘Johnny Guitar’ on Amazon Prime and Hulu

In Johnny Guitar (1954), Joan Crawford’s Vienna is the most masculine of women western heroes. A former saloon girl who earned her way to owning her own gambling house, she’s a mature woman with a history and she’s not ashamed of what she did to carve out her claim for a future. Directed by Nicholas […]

Harry Bauer is Georges Simenon's Inspector Maigret in the film by Julien Duvivier

French classics ‘David Golder’ and ‘La tête d’un homme’ on Criterion Channel

Julien Duvivier was once a giant of French cinema with a string of popular and critical hits in the thirties and a successful foray into Hollywood in the forties. He’s been largely forgotten as filmmaker even with though one of his biggest hits, Pépé le Moko (1937), remains a revered (and oft-revived) classic of gangster […]