Peter O’Toole, Barbara Hershey, and Steve Railsback star in Richard Rush’s Oscar-nominated film

‘The Stunt Man’ on Sundance Now and Fandor

The Stunt Man (1980), Richard Rush’s brilliant little backstage drama of illusion and reality and moviemaking sleight of hand, earned three Oscar nominations and universally glowing reviews, yet is was barely seen on its initial release and became an almost instant cult classic. Steve Railsback is intense and haunted as the Vietnam vet on the […]

Luc Merenda and James Mason star in Fernando di Leo's mob revenge thriller

‘Kidnap Syndicate’ – The business of crime on Amazon Prime and Fandor

Luc Merenda, the corrupt cop of Fernando di Leo’s Shoot First, Die Later, takes the lead again in di Leo’s Kidnap Syndicate (Italy, 1975) but this time he’s neither cop nor crook. Mario Colella is just a simple mechanic and working class single father who gets caught in the middle of mob business and corporate […]

Henry Silva and Woody Strode in Fernando di Leo's gangster classic

‘The Italian Connection’ – Mob schemes on Amazon Prime and Fandor

The Italian Connection (Italy, 1972), from Italy’s king of crime cinema Fernando di Leo, stars Mario Adani (the top dog thug of the Americano’s gang in di Leo’s earlier Caliber 9) as Luca, a remarkably affable and well-liked pimp whose popularity on the street makes the Milan boss nervous. So he frames Luca for a […]

Alain Resnais You Ain’t Seen Nothin’ Yet

‘You Ain’t Seen Nothin’ Yet’ and ‘Life of Riley’ on FilmStruck and Fandor

Alain Resnais was the most narratively experimental and ambitious of directors at the birth of the nouvelle vague, startling audiences with the short documentary Night and Fog (about the Nazi death camps) and the features Hiroshima Mon Amour (ruminating on the bombing of Hiroshima and Nagasaki) and Last Year at Marienbad (which you could say […]

Dominique Sanda and Stefania Sandrelli in Bernardo Bertolucci's 'The Conformist' starring Jean-Louis Trintignant

Bernardo Bertolucci’s ‘The Conformist’ on FilmStruck and Fandor

Bernardo Bertolucci’s The Conformist (1970), his dense, visually intricate, and stylistically ornate adaptation of the revered novel by Alberto Moravio, tosses sex, desire, politics, and personal responsibility into the Fascist era before World War II. Marcello (an actively repressed Jean-Louis Trintignant), a petty bourgeois man in late 1930s Italy, joins the Italian Fascist party as […]