In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
“This boy… and this girl… were never properly introduced to the world we live in…,” begins They Live By Night (1948), a bubble of a brief, idealized vision of young love immediately swept away in the urgency and desperation of the prison break in the very next scene. The directorial debut of American filmmaker Nicholas […]
A Simple Plan (1998) – An endless white landscape of rolling hills and snow-blanketed forests. A lonely acoustic score (by Danny Elfman) plays in the background. A vision of rural simplicity portrayed in hushed tones. The stillness is about to shatter. Brothers Hank (Bill Paxton), an accountant at a small town feed store, and Jacob […]
The Breaking Point (1950), the second of three big screen adaptations of Ernest Hemingway’s To Have and Have Not, stars John Garfield as Harry Morgan, the role that Humphrey Bogart played in the original. The Howard Hawks film took great liberties with Hemingway’s story. This version is more faithful but takes its own liberties. Harry […]
Jean Gabin was a brooding, rough working class anti-hero in France when his role as cool master criminal Pépé le Moko (France, 1937) made him an international star. Set in the Casbah of French Morroco, a labyrinth of alleys and termite-hole dwellings in an underworld slum that creates its own bustling, self-contained society within Algiers, […]
“I love this dirty town.” The first and only time that Burt Lancaster’s J.J. Hunsecker drops the cynical twist from his clenched smile and allows genuine appreciation cross his face in Sweet Smell of Success (1957) is when he drops that line while strolling down the nighttime streets of Broadway. It’s not a proclamation or […]
Carol Reed’s continental film noir The Third Man (1949), written by Graham Greene and starring Joseph Cotten as a cynical American pulp novelist playing detective in the rubble-strewn underworld of post-war Vienna and Orson Welles as a charming but ruthless black marketeer, is one of the true classics. The film is directed by Reed but […]
Kansas City Confidential (1952), the first of three collaborations between Phil Karlson, a director who graduated from B-movies with a strong storytelling punch and a tough, two-fisted sensibility, and John Payne, a former light romantic lead and bland song-and-dance man of Fox musicals, was a career changer for both of them. Payne was already reinventing […]
Into the Night (Shout! Factory, Blu-ray) After the 1970s recast film noir in shades of nostalgia (Chinatown, 1974, The Late Show, 1977) and private eye revisionism and cynicism (The Long Goodbye, 1973, Night Moves, 1975), the eighties gave it a burst of color and energy with Neon Noir. John Landis’s Into the Night (1985) doesn’t […]
Phil Karlson is, to my mind, to toughest of the film noir directors. Films like Kansas City Confidential and Phenix City Story give us heroes who get knocked around by life and come up for more. 99 River Street (1953), arguably Karlson’s greatest film and certainly his most beautifully brutal, is a film driven by […]
