Billy Wilder is the American cinema’s most famous cynic, but nothing in his career is as scathing as his noir-tinged newspaper drama Ace in the Hole (1951), his indictment of the American media circus. There’s not a more amoral hero in Wilder’s filmography than Kirk Douglas’s Chuck Tatum, an arrogant big city newsman stuck in […]
The Asphalt Jungle (1950) (Criterion, Blu-ray, DVD) is one of John Huston’s rare forays into the genre that would later be called film noir. His first, The Maltese Falcon (1941), helped set the template of the PI noir. Ten years later, working from an adaptation of the caper novel by W.R. Burnett scripted in collaboration […]
Dark Passage (1947) – Humphrey Bogart is as an innocent man on death row for the murder of his wife who, in the opening minutes of this classic film noir, escapes from San Quentin to clear his, yet his face isn’t even seen through the first act of film. Instead we see his escape almost […]
Is Mildred Pierce (1945) film noir or melodrama? I say why choose? Film noir is almost entirely associated with crime stories and life in the shadows and at night in the city and sure enough Mildred Pierce, based on the novel by James M. Cain, opens with death and darkness and the twilight of the […]
Bertrand Tavernier is both an essential French filmmaker and a dedicated film historian. His epic (over three hours long) documentary My Journey Through French Cinema (France, 2016) combines the two professional callings in a decidedly personal look at the cinema that shaped and excited him as both a cinephile and a filmmaker. Forget the familiar […]
Humphrey Bogart is seductive in an insolent way as the screen’s smoothest Philip Marlowe in The Big Sleep (1946), Howard Hawks’ hardboiled adaptation of Raymond Chandler’s classic detective novel, and Lauren Bacall is his match as Vivian Rutledge, the spoiled socialite daughter of his client. The mystery revolves around blackmail, petty gangsters, and an underground […]
In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
“This boy… and this girl… were never properly introduced to the world we live in…,” begins They Live By Night (1948), a bubble of a brief, idealized vision of young love immediately swept away in the urgency and desperation of the prison break in the very next scene. The directorial debut of American filmmaker Nicholas […]
A Simple Plan (1998) – An endless white landscape of rolling hills and snow-blanketed forests. A lonely acoustic score (by Danny Elfman) plays in the background. A vision of rural simplicity portrayed in hushed tones. The stillness is about to shatter. Brothers Hank (Bill Paxton), an accountant at a small town feed store, and Jacob […]
The Breaking Point (1950), the second of three big screen adaptations of Ernest Hemingway’s To Have and Have Not, stars John Garfield as Harry Morgan, the role that Humphrey Bogart played in the original. The Howard Hawks film took great liberties with Hemingway’s story. This version is more faithful but takes its own liberties. Harry […]
