Hellboy (2004) – Before Marvel recreated the superhero movie in the context of a connected universe of characters and storylines, like the comic books that inspired them, the best comic book movies created their own, self-contained worlds. One of the best of these was Guillermo del Toro’s adaptation of Mike Mignola’s cult comic Hellboy and […]
The title of 78/52: Hitchcock’s Shower Scene (2017), a documentary on the legendary sequence in Alfred Hitchcock’s 1961 classic Psycho, refers to the 78 camera set-ups and 52 cuts in the three-minute scene, an astounding attention to detail to a brief sequence that shocked American audiences with transgressions suggested but not actually shown on screen. […]
Cabin Fever (2002), Eli Roth’s knowing homage to the gory glory days of 1970s American horror cinema, drops five college kids in a rustic backwoods cabin, stirs in wild-eyed hillbilly caricatures, and then sneaks the real horror—a skin-rotting virus—under their radar. It’s a horror movie. We know it, Roth knows it, and the actors—not playing […]
Deep Red (Profundo Rosso, Italy, 1975), Dario Argento’s fifth film and his fourth giallo (his non-horror interim film Le Cinque giornate remains unreleased in the U.S.), stars David Hemmings as an American jazz pianist and music teacher in Italy. He witnesses a bloody murder in an apartment window and rushes up from the street to […]
Suspiria (Synapse, Blu-ray) The Cat O’ Nine Tails (Arrow, Blu-ray+DVD Combo) Deep Red (Arrow, Blu-ray) Opera (Scorpion, Blu-ray) The Church (Scorpion, Blu-ray) Dario Argento was the master choreographer of the distinctly Italian art of horror known as giallo, was a baroque, often sadistic kind of slasher movie that favors intricately-designed murder sequences and aesthetic beauty […]
Let Me In (2010), a remake of Let the Right One In, the Swedish coming-of-age horror movie cum adolescent survival drama in the wilds of suburban civilization, is as unexpected as can be: an American revision of a celebrated European film that honors the original while translating its anxiety and unease to a distinctly American […]
British genre maven Neil Marshall howled his arrival with his werewolf combat thriller Dog Soldiers, a sly and inspired UK hit that made cult ripples stateside. With The Descent (2005), a nerve wracking, claustrophobic survival thriller about six spelunking women hunted by the creepiest cave dwellers to skitter across a screen, Marshall honed his skills […]
You may recall Prometheus with both awe and astonishment, a film with astounding moments of beauty and horror and brilliance bumping up against stupidity and sloppiness and half-baked ideas. Alien: Covenant (2017), the second film in the Alien prequel series, takes place a decade after the events of Prometheus (2012) and continues writing the xenomorph […]
Death Walks at Midnight (Italy, 1972) is not actually a sequel to Death Walks on High Heels (1971) but in the proudly opportunistic tradition of Italian genre pictures it recalls an earlier success and director Luciano Ercoli he reunites his team of collaborators.This time around, Nieves Navarro (under the screen name Susan Scott) is a […]
Byzantium (2012), Neil Jordan’s take on the vampire genre (from a play by Moira Buffin), is not a traditional horror film. There is blood, of course, and there is sex, but it’s less eros and more survival. Clara (Gemma Arterton) walks the streets (or in this case, the boardwalk of a British coastal town in […]
