John Landis teaches us two things in An American Werewolf in London (1981): turning into a werewolf is a very painful process, and the dead are boring! American tourist David Naughton survives a moonlight animal attack in Northern England only to turn into a hairy, bloodthirsty beast back in London when the moon is full. […]
Dario Argento, the master choreographer of the distinctly Italian art of horror known as giallo, was the pop-art fabulist of the slasher movie set. He was popular in Europe but a cult figure among horror fans in the U.S. Suspiria (Italy, 1977), a stylish, surreal, downright puzzling piece of seventies Grand Guignol weirdness, was his […]
Invasion of the Body Snatchers (1956) – The original version of the oft-filmed science fiction horror is still the most insidious alien invasion film ever made. This is an invasion from within. Small town family doctor Kevin McCarthy returns to his small California coastal community from an out-of-town trip to find everything just a bit […]
A year after Oliver Stone elevated the phrase “Greed is good” to a satirical double-edged mantra in Wall Street, John Carpenter put it more bluntly in They Live (1988), a scruffy little genre movie with a subversive subtext. “Why do we worship greed?” asks an pirate broadcaster in the opening scenes, as images of homeless […]
John Carpenter’s Vampires (1998) is not just the first and only vampire film from the great American horror director, it’s the closest he’s gotten to directing an actual western. It’s not simply the dusty, dusky New Mexico setting or the Ry Cooder-esque electric country blues score. He and screenwriter Don Jakoby transform John Steakley’s novel […]
While I’ve not necessarily been a fan of the new flood of found footage-style horror movies, I do appreciate the return to a different approach to scaring audiences in the dark: films about the creepy, the unnerving, the inexplicable, and the unseen. It beats watching another director try to come up with yet another unique […]
The Host (2006), Bong Joon-ho’s South Korean monster movie hit, is neither a parody, subversion, or revision of the often campy horror movie genre. It stirs a stew of genre conventions, from political commentary to dysfunctional family satire to earnest emotional pathos, into an often thrilling monster movie as indebted to the B-movies of seventies American […]
The Babadook, one of the best and most original horror films in years, raises goosebumps with old-fashioned scares, relatable characters, and a provocative psychological foundation. Amelia (Essie Kent) is a single mother who is still in mourning for her dead husband—she barely seems to be able to rouse herself to face the world—and is unable […]
It Follows is both the title and the premise of this simple but intelligent low-budget horror. The premise is like a twist on Ringu / The Ring, except that this curse is passed on through sex, which writer / director David Robert Mitchell plays with a tender sense of romance that twists into a terrible […]
In Scary Movie 3 (2003), David Zucker (co-creator of the Airplane!, the godfather of all movie spoofs) took over the horror movie lampoon franchise previously under the control of the Wayan Brothers and rejuvenated it. Where the Wayans had a mean-spirited edge to their rude and raunchy humor, Zucker plays it in a cartoonish, anything […]
