Robert Ryan and Ida Lupino star in the film noir by Nicholas Ray

Nicholas Ray’s ‘On Dangerous Ground’ on FilmStruck

On Dangerous Ground (1952), directed by Nicholas Ray from a script he developed with A.I. Bezzerides and producer John Houseman, opens on the urgent yet fractured dramatic score by Bernard Herrmann, a theme that rushes forward anxiously, pauses with quieter instruments, then jumps again as we watch the nocturnal city streets in the rain through […]

Humphrey Bogart and Gloria Grahame star, Nicholas Ray directs from the Dorothy B. Hughes novel

Nicholas Ray’s ‘In a Lonely Place’ on FilmStruck and Criterion Channel

In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]

Joan Crawford in Nicholas Ray's cult western Johnny Guitar

Frontier women rule in ‘Johnny Guitar’ on Amazon Prime and Hulu

In Johnny Guitar (1954), Joan Crawford’s Vienna is the most masculine of women western heroes. A former saloon girl who earned her way to owning her own gambling house, she’s a mature woman with a history and she’s not ashamed of what she did to carve out her claim for a future. Directed by Nicholas […]

Dennis Hopper is Tom Ripley in Wim Wender's take on Patricia HIghsmith

‘The American Friend’ on Criterion Channel

The American Friend (Germany, 1977) – “What’s wrong with a cowboy in Hamburg?” Dennis Hopper’s Tom Ripley is nothing like the character that Patricia Highsmith created and explored in five novels, and while Wim Wender’s adaptation of Ripley’s Game, the sequel to The Talented Mr. Ripley, remains more or less faithful to the plot (with […]

Blu-ray from Warner Archive

Blu-ray: ‘On Dangerous Ground’ on Warner Archive

On Dangerous Ground (Warner Archive, Blu-ray) (1952), directed by Nicholas Ray from a script he developed with A.I. Bezzerides and producer John Houseman, opens on the urgent yet fractured dramatic score by Bernard Herrmann, a theme that rushes forward anxiously, pauses with quieter instruments, then jumps again as we watch the nocturnal city streets in […]