‘The Transporter’ on HBO Now

Jason Statham is 'The Transporter'

The Transporter (2002) – Luc Besson, the rather pretentious yet stylish purveyor of high concept action cinema born in France, found his true niche when he created his own production company and turned into an action mogul. His pictures are generally swift and sleek and sometimes silly and he’s ably filling the gap left by the low budget purveyors of exploitation cinema that went straight to video in the last decade. His films are by no means cheap–their production values are modest but they look good and they move with style–they just don’t lavish lots of digital excess. Most of the stunts are practical.

The Transporter starts like one of those BMW film/ads that Clive Owen a decade ago, with a strong, silent professional driver (Jason Statham) with a strict set of rules, and then goes the way of all tough guy thrillers when he breaks his own rules, gains a conscience, and takes on the bad guys who hired him. Hong Kong dish Shu Qi, all girlie smiles and sunny sexiness, is the “package” who falls for her savior and champion.

The film carries two director credits: Cory Yuen, a martial art choreographer extraordinaire turned director, and Louis Leterrier, who Besson promoted from production assistant and assistant director into the filmmaker’s chair with this film. I imagine Leterrier took on shaping the tone, the sleek look, and the cool calm of a hardass hero while Yuen surely choreographed the action, constructing the film in long action scenes that cascade into one another—the style that Hong Kong cinema used to be so good at. Which is great, because the story is silly drive-in junk… which, in a way, is part of the charm.

Available on disc and SVOD through Amazon Video and other services. Availability may vary by service.
The Transporter: Special Delivery Edition [DVD]
The Transporter [Blu-ray]
Transporter 1+2 [Blu-ray]

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About Sean Axmaker

Sean Axmaker is a contributing writer for Turner Classic Movies Online, The Seattle Weekly, Keyframe, and Cinephiled, and the editor of Parallax View (www.parallax-view.org). He was a film critic for the Seattle Post-Intelligencer for nine years and a longtime home video columnist for IMDb and MSN Movies, and his work has appeared in Indiewire, Today.com, The Stranger, Senses of Cinema, Asian Cult Cinema, Filmfax, Psychotronic Video, and "The Scarecrow Video Guide." You can find links to all of this and more on his shamelessly self-promoting blog at http://www.seanax.com/

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