The Host (2006), Bong Joon-ho’s South Korean monster movie hit, is neither a parody, subversion, or revision of the often campy horror movie genre. It stirs a stew of genre conventions, from political commentary to dysfunctional family satire to earnest emotional pathos, into an often thrilling monster movie as indebted to the B-movies of seventies American […]
When singer Frankie Laine was interviewed by Terry Gross on NPR’s Fresh Air many years ago, he confessed that when he was engaged to record the theme song to Mel Brooks’ Blazing Saddles (1974), he was not told that the film (and the song) was a spoof. He simply thought it was a bad song […]
The Matrix (1999) has become such a touchstone of American pop culture—referenced, copied, parodied, and parroted—that it’s hard to remember just how new and different and distinctive it was when it debuted in 1999. Which is not to say that it is completely original. Image Tron as a Greek Myth, or Sim City as an […]
The Naked Prey (1966), Cornel Wilde’s take on the Most Dangerous Game survival drama, may not be the first but it’s arguably the definitive, most visceral and primal example of the genre. Inspired by an account on the American frontier but shifted to 19th century colonial South Africa, the simple story begins with a bush […]
You could call Train to Busan (South Korea, 2016) “Zombies on a Train”—it certainly makes a catchy logline and it frames the premise accurately and succinctly—but it reduces this fleet, fierce, unexpectedly human thriller to a mere gimmick. Apart from the slyly eerie prologue, the film opens without any hint of the viral rampage to […]
In Johnny Guitar (1954), Joan Crawford’s Vienna is the most masculine of women western heroes. A former saloon girl who earned her way to owning her own gambling house, she’s a mature woman with a history and she’s not ashamed of what she did to carve out her claim for a future. Directed by Nicholas […]
The original The Wicker Man (1973) begins as a murder mystery and turns into something else entirely. Edward Woodward stars as the stiff English police detective who is sent to a remote Scottish island to investigate the disappearance of a young girl and discovers a culture living a happy “heathen” lifestyle, lorded over (literally) by […]
28 Days Later (2003), Danny Boyle’s 21st century take on the zombie film, isn’t actually a zombie film, Boyle insists, and technically he’s correct. The springy, savage human monsters aren’t dead, merely infected with an experimental viral weapon called “rage,” which has turned them into mindless animals intent in tearing every living thing they see […]
Arguably the most famous of Ingmar Bergman’s films and certainly his most iconic, The Seventh Seal (Sweden, 1957) is Bergman at his most allegorical. Max von Sydow, young and blond and heroic, is a disillusioned knight returned from the Crusades in a state of spiritual desperation: his faith has been shaken by senseless death and […]
British genre maven Neil Marshall howled his arrival with his werewolf combat thriller Dog Soldiers, a sly and inspired UK hit that made cult ripples stateside. With The Descent (2005), a nerve wracking, claustrophobic survival thriller about six spelunking women hunted by the creepiest cave dwellers to skitter across a screen, Marshall honed his skills […]
