“Made it, ma. Top of the world!” One of the greatest gangster classics of all time, White Heat (1949) stars James Cagney in an explosive performance as psychotic career criminal Cody Jarrett, driven over the edge by blinding headaches and murderous rages that only his mother can calm. Until, that is, she’s murdered while he’s […]
Snowpiercer (2013), an international production from Korean filmmaker Bong Joon-ho and a French graphic novel, is a high-speed allegory speeding down the science fiction tracks of genre cinema. That’s the way I like this brand of filmmaking: with the symbols big, muscular, detailed, and punchy. You either give yourself over to the metaphor, in this […]
The Friends of Eddie Coyle (1973), adapted from the terrific novel by George V. Higgins and produced in the wake of The French Connection, is probably the least heralded crime movie classic of the seventies. Robert Mitchum is Eddie ‘Fingers’ Coyle, a middleman working the fringes of the Boston underworld while awaiting sentencing, which prompts […]
The Matrix (1999) has become such a touchstone of American pop culture—referenced, copied, parodied, and parroted)—that it’s hard to remember just how new and different and distinctive it was when it debuted in 1999. Which is not to say that it is completely original. Image Tron as a Greek Myth, or Sim City as an […]
Dazed and Confused (1993) – Cinema has the unique ability to create a sensory experience vivid enough to make the past suddenly present and alive. Richard Linklater’s cinematic flashback Dazed and Confused captures a rich pageant of high-school life, circa 1976, in a mere 100 minutes, leaning on nostalgia without wallowing in it. Jason London […]
The strangest take on the Hans Christian Anderson fairy tale “The Little Mermaid” ever put on the screen, The Lure (Poland, 2015) is a musical-horror-fantasy-romantic tragedy from Poland about mermaid sisters with a taste for human flesh. Like the sirens of Homer’s “The Odyssey,” Silver (Marta Mazurek) and Golden (Michalina Olszanska) are feral creatures who […]
Zach Snyder delivers perhaps the most faithful adaptation of Watchmen (2009, R), the landmark graphic novel by writer Alan Moore (uncredited on screen, as is his tradition) and artist Dave Gibbons, that anyone could hope for. Moore’s story reimagines the history of comic book superheroes in the real world of global politics and complicated (and […]
The most authentically romantic filmmaker of classic Hollywood, Frank Borzage made films where the power of love conquered all, not simply narrative obstacles and stubborn complications but time and space itself. He’s the last filmmaker you would expect to produce a film noir masterpiece yet in Moonrise (1948) he delivers beautifully. Dane Clark is Danny […]
“In heaven, everything is fine,” but in Eraserhead (1977) nothing is fine. David Lynch’s debut feature is grim, disturbed, mutated, claustrophobic, a world that appears to be unraveling—or, more accurately, decaying—before our eyes. Jack Nance stars as the doughy, dim factory worker who is suddenly thrust into marriage and parenthood and escapes his grimy, oppressive […]
“There are angels over the streets of Berlin,” insists Wim Wenders in his lyrical fantasy Wings of Desire (Germany, 1987), but these are like no angels you’ve never seen. Bundled in dark overcoats, they watch over the city with ears open to the heartbeat of the human soul, listening to the internal musings and yearnings […]
