I can’t begin to find the words to describe House (1977), aka Hausu, an unclassifiable Japanese haunted house/high school romp/demon killer/surreal fantasy film from Nobuhiko Obayashi. Made in 1977 and recently revived and released to the rest of the world, it’s the archival cult find of the decade: a candy-colored style bomb of horror movie […]
After three underwhelming sequels to James Cameron’s hard-wired hardware time travel thriller The Terminator (1984) in the past dozen years, it’s time to remind ourselves just how tight and clever and entertaining the original film was. Made for a mere $6 million and released in the fall of 1984 by a small independent sudio to instant […]
The strangest take on the Hans Christian Anderson fairy tale “The Little Mermaid” ever put on the screen, The Lure (Poland, 2015) is a musical-horror-fantasy-romantic tragedy from Poland about mermaid sisters with a taste for human flesh. Like the sirens of Homer’s “The Odyssey,” Silver (Marta Mazurek) and Golden (Michalina Olszanska) are feral creatures who […]
You could call Train to Busan (South Korea, 2016) “Zombies on a Train”—it certainly makes a catchy logline and it frames the premise accurately and succinctly—but it reduces this fleet, fierce, unexpectedly human thriller to a mere gimmick. Apart from the slyly eerie prologue, the film opens without any hint of the viral rampage to […]
While Warner Bros. builds it superhero universe on the big screen by reinventing the classic heroes, it’s also creating a parallel universe of animated movies that are, for the most part, faithful adaptations of some of the great storylines and graphic novels of the comic book line. Produced for home video, they’re low budget by […]
The Host (2006), Bong Joon-ho’s South Korean monster movie hit, is neither a parody, subversion, or revision of the often campy horror movie genre. It stirs a stew of genre conventions, from political commentary to dysfunctional family satire to earnest emotional pathos, into an often thrilling monster movie as indebted to the B-movies of seventies American […]
The shamelessly and fabulously derivative Italian space opera Starcrash (1979) is both the most ridiculous and the most irresistible of all the Star Wars knock-offs of the late seventies and eighties. Caroline Munro spends much of the film in a black latex bikini as the great outlaw starship pilot Stella Star, who is arrested by […]
Fifty years ago, commercial filmmaker George Romero marshaled the resources of his production company Latent Image and the talents of friends and colleagues to produce a low budget feature film in Pittsburgh, PA. The rest is, as they say, history. Night of the Living Dead (1968) is the first genuinely modern horror movie, shot more […]
Psycho (1960) shocked America in 1960. Suburban theatergoers headed to the theaters to see the latest offering from the director of the glamorous and sexy Rear Window and the Technicolor confection North by Northwest. Who expected the droll host of TV’s showcase for suspense, Alfred Hitchcock Presents, to get so down and dirty and tawdry. […]
John Carpenter’s Vampires (1998) is not just the first and only vampire film from the great American horror director, it’s the closest he’s gotten to directing an actual western. It’s not simply the dusty, dusky New Mexico setting or the Ry Cooder-esque electric country blues score. He and screenwriter Don Jakoby transform John Steakley’s novel […]
