In a genre full of desperate characters scrambling and plotting to grab their slice of the American dream, Jacques Tourneur’s Out of the Past (1947) is a hard-boiled tale of betrayal with an unusually haunting quality. Jeff Bailey (Robert Mitchum) is the classic doomed not-so-innocent of the American cinema, a former private detective whose life […]
“This boy… and this girl… were never properly introduced to the world we live in…,” begins They Live By Night (1948), a bubble of a brief, idealized vision of young love immediately swept away in the urgency and desperation of the prison break in the very next scene. The directorial debut of American filmmaker Nicholas […]
The aliens arrived almost thirty years ago, their crippled spacecraft hovering to a halt over Johannesburg, where it remains floating over the city. That defining image hovers over the entirety of District 9 (2009), a savagely whipsmart satire of first contact with an alien species that has been reduced to repressed immigrant population stranded in […]
Curiosity is a killer in The Midnight Meat Train (2008), adapted from the short story by Clive Barker (one of the first he wrote) and directed by Japanese style-bomber Ryuhei Kitamura in his American feature debut. Leon (Bradley Cooper), a street photographer who chases police calls for a living but prefers to document the underbelly […]
I can’t begin to find the words to describe House (1977), aka Hausu, an unclassifiable Japanese haunted house/high school romp/demon killer/surreal fantasy film from Nobuhiko Obayashi. Made in 1977 and recently revived and released to the rest of the world, it’s the archival cult find of the decade: a candy-colored style bomb of horror movie […]
Herschell Gordon Lewis was a filmmaker with the mind of a promoter, which only makes sense coming from his background of marketing and salesmanship. So when he saw an opportunity, he pounced. After jumping into filmmaking with a series of “nudie cutie” sexploitation films, he and producer David F. Friedman inaugurated an entirely new genre […]
Who’s the baddest mother (shut yo mouth!) to blow into the early seventies? Forget Shaft and just ask X-rated comic and “godfather of rap” Rudy Ray Moore. He’ll give you the gospel of Dolemite (1975). Street hustler, pimp, and all around ghetto superhero Dolemite began life as a character in Moore’s nightclub act and was […]
Ginger Snaps (2001) is one of the best horror films of the new millennium that hasn’t really gotten its due. Gloomy teenage goth girls Brigitte (Emily Perkins), “the frumpy one,” and Ginger (Katharine Isabelle), “the pretty one,” are more than sisters. Only a year apart, and both “late” in developing, they have bonded as best […]
The saw is family in Tobe Hooper’s brutal, brilliant debut The Texas Chainsaw Massacre (1974) a grungy, grisly horror about a perverse Texas cannibal clan (inspired by the story of Ed Gein) and the teenagers who wander into their home (decorated in furniture constructed from human bones) and wind up on their meat hooks and […]
James Whale followed up his iconic horror classic Frankenstein (1931) with the strange, sly, and sardonic The Old Dark House (1932), part haunted house terror and part spoof executed with baroque style. Boris Karloff (fresh from his star-making turn in Frankenstein) takes top billing in the supporting role of Morgan, the scarred, mute butler with […]
