Enter the Dragon (1973) – After years of supporting roles in Hollywood, American citizen Bruce Lee became a star in Hong Kong with a handful of hard-edged martial arts thrillers. He returned to conquer his adopted homeland with this American/Hong Kong co-production, a glorified B-movie mix of kung-fu fighting (choreographed by Lee himself) and James […]
A year after Oliver Stone elevated the phrase “Greed is good” to a satirical double-edged mantra in Wall Street, John Carpenter put it more bluntly in They Live (1988), a scruffy little genre movie with a subversive subtext. “Why do we worship greed?” asks an pirate broadcaster in the opening scenes, as images of homeless […]
Spring Breakers (2012) is not your traditional fun in the sun spring break movie. But then you wouldn’t expect that from Harmony Korine, the self-appointed agent provocateur of American indie cinema confrontation, even with a cast that includes Disney Channel sweethearts Selena Gomez and Vanessa Hudgens. They play two of the four college girls (Ashley […]
Mad Max: Fury Road wasn’t the biggest hit film of the summer of 2015 (that honor belongs to Jurassic World) but it is easily the most visceral and the most intelligent action film of that year. Decades in the making, there’s nothing else like this out there. Directed by George Miller (who made the first […]
Barbarella (1968), a campy psychedelic romp produced by Italian Dino de Laurentiis, directed by French eroticist Roger Vadim, adapted from a risqué French comic strip by American satirist Terry Southern, and featuring an international cast, was Buck Rogers reworked as a sex kitten in space for the 1960s culture of free love and pop art. […]
The title may sound like pure pulp but The Incredible Shrinking Man (1957), Jack Arnold’s screen adaptation of Richard Matheson’s novel The Shrinking Man, is compassionate, intelligent, and the most metaphysical American science fiction film until Stanley Kubrick’s 2001: A Space Odyssey. Scott Carey (Grant Williams), just a guy on a daylong boating excursion, drifts […]
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Stanley Kubrick’s screwball satire of cold war posturing and mutually assured destruction, is the funniest film ever made about nuclear holocaust. But it didn’t begin as a comedy. The source novel, Peter George’s Red Alert, was a grave contemplation of the […]
The apocalyptic hysteria of the zombie film has always been pitched on the edge of comedy: a horrible black joke played on humanity by a god with a sick sense of humor. Director/co-writer Edgar Wright and co-writer/star Simon Pegg’s self-proclaimed “rom-zom-com” (romantic zombie comedy) Shaun of the Dead (2004) simply nudges it over the edge. […]
Day of the Outlaw (1959), a western set in a snowbound mountain town on the high frontier, is one of the toughest, most tension-filled pictures from Andre de Toth, a studio filmmaker who could be counted on to bring a savage edge to his assignments. The town is already coiled like a spring thanks to […]
Cornel Wilde’s grim No Blade of Grass (1970) is a forgotten dystopian classic due for rediscovery. Gritty and brutal, built on fears of ecological devastation through pollution and overcrowding (with hints of genetic manipulation gone bad), this 1970 end-of-the-world thriller seems to have gotten lost in the overcrowded apocalypse now science fiction cinema of the […]
