Delmer Daves was a Hollywood pro with a long career and an impressive filmography when he made Jubal (1956). A screenwriter turned director, Daves moved easily between all genres—war pictures, romances, westerns, Biblical epics, and a few noir-inflected dramas—and oddly enough found his biggest success in glossy melodrama A Summer Place, but I think he […]
The Matrix (1999) has become such a touchstone of American pop culture—referenced, copied, parodied, and parroted—that it’s hard to remember just how new and different and distinctive it was when it debuted in 1999. Which is not to say that it is completely original. Image Tron as a Greek Myth, or Sim City as an […]
Peter Fonda was already a counterculture icon when he suited up in black leather and a star-spangled helmet, mounted a Harley-Davidson chopper, tossed his watch to the desert floor, and drove off with a shaggy Dennis Hopper in search of America. The film was Easy Rider (1969), an independent film produced by Fonda, directed by Hopper, […]
Is Mildred Pierce (1945) film noir or melodrama? I say why choose? Film noir is almost entirely associated with crime stories and life in the shadows and at night in the city and sure enough Mildred Pierce, based on the novel by James M. Cain, opens with death and darkness and the twilight of the […]
The film that branded Sam Peckinpah with the nickname “Bloody Sam,” The Wild Bunch (1969) blazed onto theater screens in the era of Bonnie and Clyde, when genre conventions were being blasted away and directors pushed the boundaries of what was once considered “acceptable.” Peckinpah, ever the irascible maverick, rode roughshod over every unspoken rule […]
In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, video-on-demand, and other streaming services … A family faces dark, twisted, shadow versions of themselves in Jordon Peele’s eerie, ambitious Us (2019, R). Like his horror-satire hit Get Out, it’s a wicked piece of social commentary through a horror movie […]
Cristian Mungiu’s beautiful and harrowing Romanian drama 4 Months, 3 Weeks and 2 Days (2007) won the Palme d’Or at Cannes and Best Film at the European Film Awards, yet didn’t even make the short list for Best Foreign Language Film nominations. I can’t fathom this defiant snubbing of such a powerful and provocative film, […]
The animated feature A Silent Voice (Japan, 2016), adapted from a popular manga serial by Yoshitoki Oima and directed by Naoka Yamada, takes on the issue of school bullying through the story of Shoya, a fun-loving rascal who feeds off the attention he gets when he starts making fun of Shoko, a deaf girl who […]
Downhill Racer (1969) is the feature debut of Michael Ritchie, the first project that frustrated actor and future movie star Robert Redford developed for himself and the first of Redford’s proposed trilogy about the meaning of “winning” in American culture. That’s what gives such a riveting perspective to what would otherwise be called a “sports […]
