In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
Golden-age Hollywood adventures don’t come more rousing than Beau Geste (1939). Gary Cooper, Ray Milland and Robert Preston are the boisterous Geste brothers, orphans raised by a society lady as gentlemen with a sense of playful camaraderie and undaunted chivalry. Their sense of honor and sacrifice inspires all three of them take the blame for […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, video-on-demand, and other streaming services … “Lovecraft Country” (TV-MA) takes on both the cosmic horror and the blatant racism of H.P Lovecraft’s stories with the odyssey of an African-American man (Jonathan Majors) searching for his missing father (Michael Kenneth […]
The American Friend (Germany, 1977) – “What’s wrong with a cowboy in Hamburg?” Dennis Hopper’s Tom Ripley is nothing like the character that Patricia Highsmith created and explored in five novels, and while Wim Wender’s adaptation of Ripley’s Game, the sequel to The Talented Mr. Ripley, remains more or less faithful to the plot (with […]
Francis Ford Coppola described Rumble Fish (1983), his screen adaptation of S.E. Hinton’s young adult novel, as “an art film for teenagers.” He shot it right after making The Outsiders (1982), also adapted from a Hinton novel, but where that was a lush, operatic tale, Coppola made Rumble Fish in stylized black and white, like […]
Psycho (1960) shocked America in 1960. Suburban theatergoers headed to the theaters to see the latest offering from the director of the glamorous and sexy Rear Window and the Technicolor confection North by Northwest. Who expected the droll host of TV’s showcase for suspense, Alfred Hitchcock Presents, to get so down and dirty and tawdry. […]
Blade Runner: The Final Cut (1981/2007) – Ridley Scott’s visionary reworking of Philip K. Dick’s novel, “Do Android’s Dream of Electric Sheep,” was a box-office flop. Maybe it was too dark for a public flying away on the fantasy of E.T. in the summer of 1982, or too downbeat for audiences looking for a Harrison […]
“This boy… and this girl… were never properly introduced to the world we live in…,” begins They Live By Night (1948), a bubble of a brief, idealized vision of young love immediately swept away in the urgency and desperation of the prison break in the very next scene. The directorial debut of American filmmaker Nicholas […]
John Boorman had only one feature to his credit, the rock and roll lark Catch Us If You Can with the Dave Clark Five, when he came to Hollywood to direct the one-of-kind thriller Point Blank (1967). Boorman’s film, based on Richard Stark’s novel “The Hunter,” shuffles the story of a gunman named Walker (Lee […]
Miami Blues (1990) should have been the first film in funky crime movie franchise. It’s based on the first of four novels by modern hardboiled crime author Charles Willeford featuring Miami police detective Hoke Moseley; adapted and directed by George Armitage, who learned his trade making pictures for Roger Corman; and produced by Jonathan Demme, […]
