Boogie Nights (1997), the sophomore feature from Paul Thomas Anderson, is a surprisingly vibrant, funny, and at times quite warm story of a dysfunctional filmmaking family in the adult film industry of the late 1970s. Partially inspired by the life of porno star John Holmes, it stars Burt Reynolds as a quiet but firm director […]
A rare screen adaptation of a beloved novel to maintain the emotional and dramatic power of the original while establishing its own distinctive approach to the story, One Flew Over the Cuckoo’s Nest (1975) is an underdog masterpiece. “It was a classic story: the story of an individual fighting the system,” is how producer Michael […]
McCabe & Mrs. Miller (1971), Robert Altman’s third film since staking out his claim on 1970s cinema with M*A*S*H (1970), turns the western myth into a metaphor for the fantasy of the American Dream colliding with the power of big business. Warren Beatty is John McCabe, a drifting gambler who rides into the mining camp […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
The African desert, WWII, and romance… no doubt about it, The English Patient (1996) is a Casablanca for the 90s, directed with sweep, elegance, and grand passions by Anthony Minghella from his screenplay adaptation of Michael Ondaatje’s novel. Ralph Fiennes, scarred by fire and buried under bandages like an Egyptian mummy, is the mysterious patient […]
Mildred Pierce (2011) is less a remake than a new run at adapting the James M. Cain novel. Previously made into a Hollywood classic (which earned Joan Crawford her only Oscar), it’s been transformed into a five-hour mini-series by director Todd Haynes, who cast Kate Winslet in the title role as the mother blindly devoted […]
Anyone who has followed the career of Paul Schrader could fall into the trap of simply cataloguing the ways in which First Reformed (2018) is a summation of his themes and inspirations. Imagine the promotional possibilities: “From the author of “Transcendental Cinema” and “Notes on Film Noir” and the screenwriter of Taxi Driver and The Last […]
“There are over 550 million firearms in worldwide circulation. That’s one firearm for every twelve people on the planet. The only question is: How do we arm the other 11?” The opening line of Andrew Niccol’s Lord of War (2005) captures the film in a phrase: it’s serious, it’s sardonic, and it has both a […]
Winner of the Palme d’Or at Cannes 2016 and nominated for nine Cesar awards, Jacques Audiard’s Dheepan (France, 2015) is a moving drama of alienation, assimilation, and survival. A guerilla soldier (Jesuthasan Antonythasan, a non-actor and former child soldier) in the brutal Tamil Tigers in the dying days of Sri Lanka’s civil war, burns his […]
Emma Thompson is superb in The Children Act (2018) as the British justice who specializes in child law and cases involving the welfare of minors. She commits all to the job and over the years has given up her personal life to take on the responsibility, to the point that she has disengaged from her […]
