“I love this dirty town.” The first and only time that Burt Lancaster’s J.J. Hunsecker drops the cynical twist from his clenched smile and allows genuine appreciation cross his face in Sweet Smell of Success (1957) is when he drops that line while strolling down the nighttime streets of Broadway. It’s not a proclamation or […]
The Breaking Point (1950), the second of three big screen adaptations of Ernest Hemingway’s To Have and Have Not, stars John Garfield as Harry Morgan, the role that Humphrey Bogart played in the original. The Howard Hawks film took great liberties with Hemingway’s story. This version is more faithful but takes its own liberties. Harry […]
Originally published on the Film Noir Foundation website The most expensive German TV series ever produced, Babylon Berlin (Germany, 2017-2018) is Weimar noir, a detective drama turned conspiracy thriller set against the backdrop of decadence and poverty and corruption in 1929 Berlin just before the Nazi party rode the swell of nationalism to power. Think […]
Day of the Outlaw (1959), a western set in a snowbound mountain town on the high frontier, is one of the toughest, most tension-filled pictures from Andre de Toth, a studio filmmaker who could be counted on to bring a savage edge to his assignments. The town is already coiled like a spring thanks to […]
In a genre full of desperate characters scrambling and plotting to grab their slice of the American dream, Jacques Tourneur’s Out of the Past (1947) is a hard-boiled tale of betrayal with an unusually haunting quality. Jeff Bailey (Robert Mitchum) is the classic doomed not-so-innocent of the American cinema, a former private detective whose life […]
“This boy… and this girl… were never properly introduced to the world we live in…,” begins They Live By Night (1948), a bubble of a brief, idealized vision of young love immediately swept away in the urgency and desperation of the prison break in the very next scene. The directorial debut of American filmmaker Nicholas […]
Originally published on the Film Noir Foundation website Joseph H. Lewis never again matched the dizzying heights of the delirious masterpiece Gun Crazy, but he did create at least one additional classic in the noir canon. The Big Combo (1955) stars Cornel Wilde (also an uncredited producer) as a driven cop hounding preening mobster Richard Conte, an arrogant […]
The original Cat People (1942) was made on a low budget for RKO’s B-movie unit, the first in an amazing series of B-horror films from producer Val Lewton that transcended its origins. It’s a masterpiece of mood and psychological ambiguity masquerading as a cheap exploitation knock-off. Cheap it is, but Lewton and director Jacques Tourneur […]
If classic French cinema is any indication, then gangsters were the great Gallic underground hero. Where the prototypical American gangsters are invariably cultural outsiders and immigrants who muscle their way to power in sprays of bullets, their French counterparts are dapper men with a code of loyalty who walk the tightrope between respect and disrepute. […]
In Sin City (2005), Robert Rodriguez pulls out all stylistic stops to translate the most graphic of graphic novels—Frank Miller’s Sin City tales, all hard-boiled tributes to pulp fiction and film noir—from two-dimensional pages to free-floating big screen action, and he drafted Miller to help master not just the look, but whole hard-boiled extremism. Men […]
