On Dangerous Ground (1952), directed by Nicholas Ray from a script he developed with A.I. Bezzerides and producer John Houseman, opens on the urgent yet fractured dramatic score by Bernard Herrmann, a theme that rushes forward anxiously, pauses with quieter instruments, then jumps again as we watch the nocturnal city streets in the rain through […]
Is Mildred Pierce (1945) film noir or melodrama? I say why choose? Film noir is almost entirely associated with crime stories and life in the shadows and at night in the city and sure enough Mildred Pierce, based on the novel by James M. Cain, opens with death and darkness and the twilight of the […]
The most authentically romantic filmmaker of classic Hollywood, Frank Borzage made films where the power of love conquered all, not simply narrative obstacles and stubborn complications but time and space itself. He’s the last filmmaker you would expect to produce a film noir masterpiece yet in Moonrise (1948) he delivers beautifully. Dane Clark is Danny […]
The Limey (1999), Steven Soderbergh’s immediate follow-up to his sexy and stylish Out of Sight, is an equally stylish but far more austere crime drama, cool and removed and filled with regret where Out of Sight was warm and romantic and sexy. Terence Stamp is Wilson, an aging cockney criminal fresh out of prison who […]
Carol Reed’s continental film noir The Third Man (1949), written by Graham Greene and starring Joseph Cotten as a cynical American pulp novelist playing detective in the rubble-strewn underworld of post-war Vienna and Orson Welles as a charming but ruthless black marketeer, is one of the true classics. The film is directed by Reed but […]
Fritz Lang’s The Woman in the Window (1944) is a film noir nightmare in every definition of the term. Edward G. Robinson is the middle-aged philosophy professor who meets beautiful young model Kitty (Joan Bennett) on the street. His wife and kids are out of town for vacation so he joins this single, sexy young […]
A Simple Plan (1998) – An endless white landscape of rolling hills and snow-blanketed forests. A lonely acoustic score (by Danny Elfman) plays in the background. A vision of rural simplicity portrayed in hushed tones. The stillness is about to shatter. Brothers Hank (Bill Paxton), an accountant at a small town feed store, and Jacob […]
Gun Crazy (1950), the greatest of the criminal lovers-on-the-run thriller, explodes onto the screen in a fury of sex and guns and love and violence. Directed by Joseph H. Lewis, it is a masterpiece of style and a blast of cinematic ecstasy on a budget barely bigger than a B movie. John Dall is a […]
Taxi Driver (1976), Martin Scorsese’s incendiary masterpiece of alienation and anger and urban anxiety may be the most maverick vision of seventies American cinema. It is certainly one of the most visceral portraits of the American urban underbelly ever put on film, a movie bathed in blood as much as in light, and almost forty years […]
With its title inspired by the notorious Black Dahlia murder case, The Blue Gardenia (1953) throws a twist into the story by making the mystery woman not the victim but the suspect in a lurid murder case. Anne Baxter, playing a virginal blonde with almost breathless innocence, impulsively accepts a blind date after receiving a […]
