“As far back as I can remember, I always wanted to be a gangster.” GoodFellas (1990), Martin Scorsese’s violent, dynamic, exhilarating adaptation of Nicholas Pileggi’s non-fiction book Wiseguy, about real-life wiseguy-turned-witness against the mob Henry Hill, exploded across screens in 1990 and was embraced as the first great American gangster movie since Coppola’s The Godfather […]
John Cassavetes was doing his Orson Welles thing—by that I mean acting in whatever movie paid well so he could finance his own, personal productions—when he took the lead in Machine Gun McCain (Italy, 1968), an Italian mob picture/heist movie hybrid shot in large part on location in San Francisco, Los Angeles and Las Vegas. […]
After helping turn Miami Vice into the defining neon crime show of its era, Michael Mann turned back the clock and put his stamp on Crime Story: Complete Series (1986-1988). Created by former Chicago cop Chuck Adamson with Gustave Reininger, the Mann-produced sixties-era gangster series made for a fabulous mix of genres (old-time gangster thriller, […]
I like to think of Cinemax as the grindhouse version of HBO: not as exclusive, not as ambitious, not as high-toned (late night Cinemax wasn’t called “Skinemax” for nothing). And it’s the same when it comes to original programming, the cable TV mark of distinction. Where HBO boasts such impressive productions as The Wire and […]
The Departed (2006), Martin Scorsese’s return to American urban crime cinema, became the biggest hit of his career and earned him his very first Academy Award for Best Director. Leonardo DiCaprio is Billy Costigan, a street thug working for South Boston crime boss Frank Costello (Jack Nicholson), and Matt Damon is Colin Sullivan, a rising […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, video-on-demand, and other streaming services … The weekly column is featured in The Seattle Times, The Spokesman-Review, and other newspapers. After the major film studio passed, Martin Scorsese turned to Netflix to finance “The Irishman” (2019, R) his latest and […]
If classic French cinema is any indication, then gangsters were the great Gallic underground hero. Where the prototypical American gangsters are invariably cultural outsiders and immigrants who muscle their way to power in sprays of bullets, their French counterparts are dapper men with a code of loyalty who walk the tightrope between respect and disrepute. […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
David Cronenberg returns to A History of Violence territory and Viggo Mortensen comes with him to bring Eastern Promises (2007) to ambiguous, shadowy life. Nikolai (Mortensen), a chauffeur and foot soldier in a Russian crime family in London, wears his shadow of a smile like an impenetrable mask. One minute he’s indifferently hacking up and […]
Performance (1970) may have been released in 1970 but this collision of London gangster machismo and drug culture, where “Nothing is true; everything is permitted,” is unmistakably a product of the sixties. Mick Jagger makes his feature acting debut as Turner, a reclusive rock star in a dilapidated manor home in a London slum, but […]
