David Cronenberg returns to A History of Violence territory and Viggo Mortensen comes with him to bring Eastern Promises (2007) to ambiguous, shadowy life. Nikolai (Mortensen), a chauffeur and foot soldier in a Russian crime family in London, wears his shadow of a smile like an impenetrable mask. One minute he’s indifferently hacking up and […]
Performance (1970) may have been released in 1970 but this collision of London gangster machismo and drug culture, where “Nothing is true; everything is permitted,” is unmistakably a product of the sixties. Mick Jagger makes his feature acting debut as Turner, a reclusive rock star in a dilapidated manor home in a London slum, but […]
Alain Delon is the coolest killer hit the screen, a film noir loner for the modern era, in Jean-Pierre Melville’s austere 1967 French crime classic Le Samourai (France, 1967). Delon’s impassive hitman Jeff Costello is a professional’s professional, an assassin with a face of stone, nerves of ice, and the patience of a monk. He […]
“Made it, ma. Top of the world!” One of the greatest gangster classics of all time, White Heat (1949) stars James Cagney in an explosive performance as psychotic career criminal Cody Jarrett, driven over the edge by blinding headaches and murderous rages that only his mother can calm. Until, that is, she’s murdered while he’s […]
The Belgian filmmaking team of Hélène Cattet and Bruno Forzani are carving a distinctive and specialized career melding stylized art movies with flamboyant genre pictures drawn from expressive techniques of Italian exploitation movies. With Let the Corpses Tan (Belgium/France, 2018), their third feature, they turn an adaptation of a cult pulp novel by Jean-Patrick Manchette […]
The Italian Connection (Italy, 1972), from Italy’s king of crime cinema Fernando di Leo, stars Mario Adani (the top dog thug of the Americano’s gang in di Leo’s earlier Caliber 9) as Luca, a remarkably affable and well-liked pimp whose popularity on the street makes the Milan boss nervous. So he frames Luca for a […]
John Dillinger was the most notorious of the Depression-era gangsters and his exploits (and attendant newspaper coverage) made him a romantic anti-hero to many of the folks who felt betrayed by the bankers and businessmen of the country. Dillinger (1973), the directorial debut of John Milius, plays on that image of the gentleman gangster who […]
The Sopranos debuted on HBO in January of 1999 and changed the television landscape forever. More than simply “The Godfather Sees a Shrink,” the brilliant made-for-cable drama gave “family crisis” a whole new meaning and television drama a new sophistication. Emmy winner James Gandolfini’s Tony Soprano, a blue collar guy in an upper-middle class neighborhood, […]
“It’s not personal. It’s strictly business.” Francis Ford Coppola’s adaptation of Mario Puzo’s bestseller remains the great American epic of the immigrant dream turned family business. Al Pacino stars as Michael Corleone, the clean-cut white sheep and patriotic soldier boy son of New York Godfather Vito Corleone (Marlon Brando in an Oscar–winning performance), and this […]
John Boorman had only one feature to his credit, the rock and roll lark Catch Us If You Can with the Dave Clark Five, when he came to Hollywood to direct the one-of-kind thriller Point Blank (1967). Boorman’s film, based on Richard Stark’s novel “The Hunter,” shuffles the story of a gunman named Walker (Lee […]
