John Boorman had only one feature to his credit, the rock and roll lark Catch Us If You Can with the Dave Clark Five, when he came to Hollywood to direct the one-of-kind thriller Point Blank (1967). Boorman’s film, based on Richard Stark’s novel “The Hunter,” shuffles the story of a gunman named Walker (Lee […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
Set almost entirely in an apartment building in the slums of Jakarta, the extreme action film The Raid: Redemption (Indonesia, 2011) has a reputation as one of the fiercest, most brutal crime thrillers around. It’s a well-earned reputation. Directed by Gareth Huw Evans, a Brit (actually Welsh) in Asia, and starring martial arts professionals in […]
Mafioso (Italy, 1962), Alberto Lattuada’s brilliant satire of Sicily’s “paternal” mafia, became the cinematic rediscovery of 2006 when it was revived and shown at the New York Film Festival. Alberto Sordi plays the Sicilian son made good, a business professional in Milan who, bubbling over with sentimental zeal, brings his Milanese wife and two adorable […]
Brian De Palma’s Scarface (1983), ostensibly a remake of the Howard Hawks gangster classic, moves the iconic rise and fall crime opera from the tommy-gun gangster street battles of the prohibition era to the cocaine wars of Florida in the eighties. In the process, De Palma, screenwriter Oliver Stone, and star Al Pacino carved out […]
James Cagney became an overnight sensation as the streetwise dynamo Tom Powers, a Chicago slum kid turned brutal mob goon in The Public Enemy (1931), William A. Wellman’s archetypal gangster classic. In the first depression-era films of the mob rats blasting their way to big screen glory like Molotov cocktails, Cagney’s Tom Powers was the […]
Directed by the insanely prolific Hong Kong action veteran Wong Jing, Chasing the Dragon (China, 2017) is the filmmaker’s crime epic, a historical drama that charts the rise and fall of two notorious gangsters who thrived in the rampant corruption enabled by Britain’s colonial rule of Hong Kong in the 1960s. The title is slang […]
Johnnie To, the reigning king of the crime movie and the romantic code of gangster brothers within the mercenary world of organized crime, delivers another perfect little genre piece with Vengeance (Hong Kong, 2009). French pop legend Johnny Hallyday stars as Costello, a retired pro who comes to Macau to take revenge on the men […]
The offbeat Hungarian thriller Kills on Wheels (Hungary, 2016) turns a dark subject into an unexpected crime tale of triumph and hope with a streak of black comedy. Zoli and Barba are disabled teenagers in a rehabilitation facility where they meet Janos (Szabolcs Thuróczy), a former fireman now paralyzed from the waist down. Gruff and […]
The films of Sion Sono, who is fast closing in on Miike Takashi as Japan’s cinema wildman rebel, are increasingly outrageous, unhinged, extreme, and unpredictable, pushing expectations as well as boundaries, and trying anything and everything in a wildly creative (if unfocused) attempt to refresh familiar genres. Tokyo Tribe (Japan, 2014), adapted from a graphic […]
