Deep Red (Profundo Rosso, Italy, 1975), Dario Argento’s fifth film and his fourth giallo (his non-horror interim film Le Cinque giornate remains unreleased in the U.S.), stars David Hemmings as an American jazz pianist and music teacher in Italy. He witnesses a bloody murder in an apartment window and rushes up from the street to […]
Suspiria (Synapse, Blu-ray) The Cat O’ Nine Tails (Arrow, Blu-ray+DVD Combo) Deep Red (Arrow, Blu-ray) Opera (Scorpion, Blu-ray) The Church (Scorpion, Blu-ray) Dario Argento was the master choreographer of the distinctly Italian art of horror known as giallo, was a baroque, often sadistic kind of slasher movie that favors intricately-designed murder sequences and aesthetic beauty […]
Death Walks at Midnight (Italy, 1972) is not actually a sequel to Death Walks on High Heels (1971) but in the proudly opportunistic tradition of Italian genre pictures it recalls an earlier success and director Luciano Ercoli he reunites his team of collaborators.This time around, Nieves Navarro (under the screen name Susan Scott) is a […]
Luciano Ercoli isn’t the most well-known or prolific directors in the distinctly Italian giallo genre of horror films but he made his mark with a pair of sleek and sexy and stylish films with Spanish actress Nieves Navarro (under the screen name Susan Scott) and leading man Simón Andreu and screenwriters Ernesto Gastaldi and Mahnahén […]
The Red Queen Kills Seven Times (Italy, 1972) is the second of only two gialli made by Emilio P. Miraglia (the first, The Night Evelyn Came out of the Grave, is reviewed on Stream On Demand here). More indebted to the Gothic tradition in his brief engagement with the giallo, his two features are more […]
Your Vice Is a Locked Room and Only I Have the Key (Italy, 1972), directed by Sergio Martino and ostensibly inspired by Edgar Allan Poe’s “The Black Cat,” stars the voluptuous, dark-eyed beauty Edwige Fenech, the sex bomb of giallo, in what was (in the words of genre film historian Justin Harries) “Her finest and […]
The Cat O’Nine Tails (Italy, 1971), Dario Argento’s second feature, follows up his directorial debut The Bird With the Crystal Plumage in genre, style and “animal” theme (stretched into a trilogy with Four Flies on Gray Velvet). In Bird, Argento explores, pushes at, and plays with the mechanics of suspense and murder mystery spectacle in […]
Inferno (Italy, 1980), the second film in Dario Argento’s “Three Mothers” trilogy, is ostensibly a sequel to Suspiria, though it has no characters or storylines in common with Dario Argento’s giallo classic. What it shares is style and sensibility and dreamy, unreal imagery. Irene Miracle appears to be our heroine, a New York girl captivated […]
Dario Argento, the master choreographer of the distinctly Italian art of horror known as giallo, was the pop-art fabulist of the slasher movie set. He was popular in Europe but a cult figure among horror fans in the U.S. Suspiria (Italy, 1977), a stylish, surreal, downright puzzling piece of seventies Grand Guignol weirdness, was his […]
Dario Argento takes sole writing credit for his directorial debut but The Bird with the Crystal Plumage (Italy, 1970) is actually an unofficial adaptation of Fredric Brown’s novel The Screaming Mimi (previously made into a 1958 film) that Argento developed with popular mystery novelist Bryan Edgar Wallace. Wallace wrote a number of gruesome murder mysteries […]
