A 21st century Godzilla movie for the (pre-video phone) camcorder generation, Cloverfield (2008) is a high-concept reworking of an old-fashioned creature feature with a DIY aesthetic. The conceit of the film is essentially the home video record of an alien invasion as shot by a wise-cracking default cameraman recording every movement of a group of […]
“I’m the luckiest kid in the world,” cheers adolescent Hogarth, halfway to sci-fi heaven in the hand of a friendly ten story robot— a clanking metal man who acts like a combination little brother, big brother, and playful puppy dog all rolled into one magnificent structure who looks like he stepped off a vintage cover […]
King Kong (1933) is the king of the jungle of giant creature features. The acting and the dialogue verges on kitsch, but the production from explorers, adventurers, and real-life adventure filmmaking pioneers Merian C. Cooper and Ernest B. Schoedsack is still awe-inspiring and the special effects of Willis O’Brien, groundbreaking in their day, are beautifully […]
J.J. Abrams, the high-concept super-producer turned director, writes and directs Super 8 (2011) but the DNA comes right out of Steven Spielberg. Set in 1979, before the home video revolution put video cameras in the hands of movie-mad kids, this is a monster movie adventure powered by creative kids, a love of movies, and an […]
To most American viewers, the original run of Japanese Toho Godzilla films will never be more than exercises in camp. In the age of CGI, who’s going to take a man in rubber suit stomping on toy trucks and miniature cities seriously? The country that gave birth to the lizard king, of course. After Roland […]
