In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
The first 15 minutes of Robert Siodmak’s The Killers (1946) remains the most the most faithful adaptation of Ernest Hemingway ever put on screen. Two gunmen from the city (Charles McGraw and William Conrad) take over a small town diner to wait for their target. When he doesn’t show, they take the hit to him, […]
Fred Astaire and Ginger Rogers were the most elegant of Hollywood’s dance teams in the golden age of American musicals and Swing Time (1936) is the peak of their ten-film output. The plot is as absurd as anything from the era: Astaire is a dancer and gambler who is set to marry his hometown sweetheart […]
Golden-age Hollywood adventures don’t come more rousing than Beau Geste (1939). Gary Cooper, Ray Milland and Robert Preston are the boisterous Geste brothers, orphans raised by a society lady as gentlemen with a sense of playful camaraderie and undaunted chivalry. Their sense of honor and sacrifice inspires all three of them take the blame for […]
Preston Sturges simultaneously lampoons and embraces Hollywood in his comedy masterpiece Sullivan’s Travels (1941). A very low-key Joel McCrea play John Sullivan, a popular Hollywood director of lowbrow hits like Ants in Your Pants of 1939 who decides to make a serious film about social strife and human suffering called O Brother, Where Art Thou […]
On Dangerous Ground (1952), directed by Nicholas Ray from a script he developed with A.I. Bezzerides and producer John Houseman, opens on the urgent yet fractured dramatic score by Bernard Herrmann, a theme that rushes forward anxiously, pauses with quieter instruments, then jumps again as we watch the nocturnal city streets in the rain through […]
Psycho (1960) shocked America in 1960. Suburban theatergoers headed to the theaters to see the latest offering from the director of the glamorous and sexy Rear Window and the Technicolor confection North by Northwest. Who expected the droll host of TV’s showcase for suspense, Alfred Hitchcock Presents, to get so down and dirty and tawdry. […]
“This boy… and this girl… were never properly introduced to the world we live in…,” begins They Live By Night (1948), a bubble of a brief, idealized vision of young love immediately swept away in the urgency and desperation of the prison break in the very next scene. The directorial debut of American filmmaker Nicholas […]
If you love movies, I mean really love the glory of Hollywood moviemaking and star power and the joys of wondrous stories, then you surely Only Angels Have Wings (1939), the quintessential Howard Hawks adventure of male bonding and tough love in a world where there may be no tomorrow. If you haven’t fallen for […]
Gun Crazy (1950), the greatest of the criminal lovers-on-the-run thriller, explodes onto the screen in a fury of sex and guns and love and violence. Directed by Joseph H. Lewis, it is a masterpiece of style and a blast of cinematic ecstasy on a budget barely bigger than a B movie. John Dall is a […]
