The 1960s were full of big budget wartime caper-style films—The Great Escape, Where Eagles Dare, Kelley’s Heroes, just to name a few—but none of them have the brawny machismo and wily bad boy gusto of The Dirty Dozen (1967), Robert Aldrich’s testosterone-fueled tough guy classic. Lee Marvin is the hard-as-nails Major who is “volunteered” to […]
Is Mildred Pierce (1945) film noir or melodrama? I say why choose? Film noir is almost entirely associated with crime stories and life in the shadows and at night in the city and sure enough Mildred Pierce, based on the novel by James M. Cain, opens with death and darkness and the twilight of the […]
The great western director Anthony Mann and aging western icon Gary Cooper teamed up for the first and only time in Man of the West (1958), a stark frontier drama of a trio of train passengers stranded in the desert after a railway holdup. Taking responsibility for his helpless compatriots (Julia London as a sad-eyed […]
The film that branded Sam Peckinpah with the nickname “Bloody Sam,” The Wild Bunch (1969) blazed onto theater screens in the era of Bonnie and Clyde, when genre conventions were being blasted away and directors pushed the boundaries of what was once considered “acceptable.” Peckinpah, ever the irascible maverick, rode roughshod over every unspoken rule […]
Gary Cooper, that great Oak of an American actor, progresses from the awkward and naively shy rookie to the seasoned “Iron Man” first baseman of the New York Yankees without losing his idealism or modesty in The Pride of the Yankees (1942). Nominated for 11 Academy awards (winning one for film editing), this handsome biographical […]
King Kong (1933) is the king of the jungle of giant creature features. The acting and the dialogue verges on kitsch, but the production from explorers, adventurers, and real-life adventure filmmaking pioneers Merian C. Cooper and Ernest B. Schoedsack is still awe-inspiring and the special effects of Willis O’Brien, groundbreaking in their day, are beautifully […]
If there is a cooler, tougher, more shrewd and self-sufficient private detective in the movies than Humphrey Bogart’s incarnation of Sam Spade in John Huston’s note-perfect adaptation of Dashiell Hammett’s The Maltese Falcon (1941), I’ve yet to see him in action. The 1941 classic wasn’t the first screen version of Hammet’s iconic novel, but it […]
The 1930 The Big House, directed by George Hill from a script by France Marion, is the original men-in-prison drama in terms of the way it established the conventions. There’s the pecking order of tough guys behind bars, the culture of loyalty, the sniveling snitches, the prison reform speech from the tough but committed warden […]
The Pawnbroker (1964), the Sidney Lumet-directed 1964 film based on the novel by Edward Lewis, is a real time capsule. It’s the first American film to really take on the legacy of the Holocaust on a personal level, and it’s set in a Harlem pawnshop where a stream of slum stereotypes wander in and out […]
“You’re the first friend I ever had,” grins flamboyant mercenary Burt Lancaster to lean, laconic Gary Cooper in with a smile that suggests that he may be the last. They’re a pair of Americans abroad looking to cash in the Mexican revolution by selling their services to the highest bidder in Vera Cruz (1954), Robert […]
