The original Cat People (1942) was made on a low budget for RKO’s B-movie unit, the first in an amazing series of B-horror films from producer Val Lewton that transcended its origins. It’s a masterpiece of mood and psychological ambiguity masquerading as a cheap exploitation knock-off. Cheap it is, but Lewton and director Jacques Tourneur […]
The African Queen (1951) – Humphrey Bogart is Charlie Allnut, the hard-drinking captain of a sputtering steam-powered boat that gives the film its title. Katharine Hepburn is Rose Sayer, a spirited missionary spinster serving the Lord in German East Africa with her brother (Robert Morley). It’s September 1914, the early days of World War I, […]
Peter Fonda was already a counterculture icon when he suited up in black leather and a star-spangled helmet, mounted a Harley-Davidson chopper, tossed his watch to the desert floor, and drove off with a shaggy Dennis Hopper in search of America. The film was Easy Rider (1969), an independent film produced by Fonda, directed by Hopper, […]
Delmer Daves was a Hollywood pro with a long career and an impressive filmography when he made Jubal (1956). A screenwriter turned director, Daves moved easily between all genres—war pictures, romances, westerns, Biblical epics, and a few noir-inflected dramas—and oddly enough found his biggest success in glossy melodrama A Summer Place, but I think he […]
Is Mildred Pierce (1945) film noir or melodrama? I say why choose? Film noir is almost entirely associated with crime stories and life in the shadows and at night in the city and sure enough Mildred Pierce, based on the novel by James M. Cain, opens with death and darkness and the twilight of the […]
The film that branded Sam Peckinpah with the nickname “Bloody Sam,” The Wild Bunch (1969) blazed onto theater screens in the era of Bonnie and Clyde, when genre conventions were being blasted away and directors pushed the boundaries of what was once considered “acceptable.” Peckinpah, ever the irascible maverick, rode roughshod over every unspoken rule […]
In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
![TITLE: SUNSET BOULEVARD PERS: VON STROHEIM, ERICH / SWANSON, GLORIA YEAR: 1950 DIR: WILDER, BILLY REF: SUN025AL CREDIT: [ THE KOBAL COLLECTION / PARAMOUNT ]](https://streamondemandathome.com/wp-content/uploads/2016/12/Sunset-Blvd-230x178.jpeg)
Kanopy is one of the best kept secrets of the streaming world. A free service available through most public and college libraries, it features a robust selection of American indies, foreign films, and educational programming. And thanks to deals with Criterion, Kino Lorber, the Cohen Film Collection, and other libraries, it has perhaps the most […]
The Furies (1950), the second western from genre giant Anthony Mann (after Devil’s Doorway) and his first big-budget, large-canvas production after an apprenticeship in low-budget thrillers, is a genre hybrid: a psychological western by way of a Gothic melodrama, with a dark, shadowy style right out of Mann’s earlier film noirs. Barbara Stanwyck is Vance […]
“Made it, ma. Top of the world!” One of the greatest gangster classics of all time, White Heat (1949) stars James Cagney in an explosive performance as psychotic career criminal Cody Jarrett, driven over the edge by blinding headaches and murderous rages that only his mother can calm. Until, that is, she’s murdered while he’s […]
