Ride the High Country (1962), the second feature by Sam Peckinpah—and his first unqualified masterpiece—is a laconic tale about the end of the frontier that both celebrates and deconstructs the romantic view of old west nobility and heroism. He casts two old hands at the genre—Randolph Scott and Joel McCrea—as old friends and veteran lawmen […]
“You’re the first friend I ever had,” grins flamboyant mercenary Burt Lancaster to lean, laconic Gary Cooper in with a smile that suggests that he may be the last. They’re a pair of Americans abroad looking to cash in the Mexican revolution by selling their services to the highest bidder in Vera Cruz (1954), Robert […]
Orson Welles’ baroque border town murder mystery Touch of Evil (1958/1998) is a wild masterpiece, a sleazy, grimy, jittery, and ultimately dazzling work of cinematic magic. It’s considered the last great film noir and the bookend to the true noir era. It was also Welles’s last attempt at a career in Hollywood before he packed […]
The film that branded Sam Peckinpah with the nickname “Bloody Sam,” The Wild Bunch (1969) blazed onto theater screens in the era of Bonnie and Clyde, when genre conventions were being blasted away and directors pushed the boundaries of what was once considered “acceptable.” Peckinpah, ever the irascible maverick, rode roughshod over every unspoken rule […]
Made for MGM in 1945, the handsome and elegant The Picture of Dorian Gray (1945) is still the best adaptation of Oscar Wilde’s only novel. Hurd Hatfield plays Dorian Gray, a handsome, earnest young man who stops aging after having his portrait painted, and George Sanders is Lord Henry Wotton, the hedonistic cynic who tempts […]
The African Queen (1951) – Humphrey Bogart is Charlie Allnut, the hard-drinking captain of a sputtering steam-powered boat that gives the film its title. Katharine Hepburn is Rose Sayer, a spirited missionary spinster serving the Lord in German East Africa with her brother (Robert Morley). It’s September 1914, the early days of World War I, […]
The great western director Anthony Mann and aging western icon Gary Cooper teamed up for the first and only time in Man of the West (1958), a stark frontier drama of a trio of train passengers stranded in the desert after a railway holdup. Taking responsibility for his helpless compatriots (Julia London as a sad-eyed […]
The original Cat People (1942) was made on a low budget for RKO’s B-movie unit, the first in an amazing series of B-horror films from producer Val Lewton that transcended its origins. It’s a masterpiece of mood and psychological ambiguity masquerading as a cheap exploitation knock-off. Cheap it is, but Lewton and director Jacques Tourneur […]
King Kong (1933) is the king of the jungle of giant creature features. The acting and the dialogue verges on kitsch, but the production from explorers, adventurers, and real-life adventure filmmaking pioneers Merian C. Cooper and Ernest B. Schoedsack is still awe-inspiring and the special effects of Willis O’Brien, groundbreaking in their day, are beautifully […]
Howard Hawks reworks Mutiny on the Bounty as a frontier epic in Red River (1948), the sweeping tale of a journey that can’t be made and the story of a son forced to battle the father he loves and adores. Montgomery Clift made his film debut opposite grand old icon John Wayne, playing Matthew Garth, […]
