Free Enterprise (1999) is in some ways yet another Gen-X Peter Pan story of young adults living their lives through pop culture references while avoiding real world responsibility, but director Robert Meyer Burnett and co-writer Mark A. Altman definitely know their world of movie and media saturated SF geeks with dreams of making it in […]
Boogie Nights (1997), the sophomore feature from Paul Thomas Anderson, is a surprisingly vibrant, funny, and at times quite warm story of a dysfunctional filmmaking family in the adult film industry of the late 1970s. Partially inspired by the life of porno star John Holmes, it stars Burt Reynolds as a quiet but firm director […]
Harold and Lillian Michelson were Hollywood’s best-kept secret for decades. Harold Michelson, who passed away in 2007, was an art director and storyboard artist on some of the greatest films ever made. Lillian Michelson ran a Hollywood research library that was an essential resource for hundreds of productions. Their work was strictly behind the scenes […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services … The Other Side of the Wind (2018, not rated), starring John Huston as an aging filmmaker trying to stay relevant in the changing landscape of 1970s cinema, was left unfinished and […]
What Price Hollywood? (1932) is one of the wittiest and most interesting Hollywood movies about Hollywood culture ever made. It’s a shame it’s not better known. This pre-code comedy stars Constance Bennett as an aspiring actress waiting tables at The Brown Derby who gets her big break when a drunken film director (Lowell Sherman) invites […]
French filmmaker Arnaud Desplechin makes films about the messiness of families, lovers, and creative lives that can become quite messy in their telling. Ismael’s Ghosts (France, 2018) jumps abruptly back and forth in time and between biography and fiction and dreams, smudging the line between biography, fiction, and artistic imagination. Desplechin regular Mathieu Amalric is […]
The Aviator (2004), Martin Scorsese’s epic biography of the life of Howard Hughes, is his love-letter to the old-Hollywood bio-pic. This is high-style filmmaking wrapped up in a tormented hero whose soaring flights of greatness are matched by the mortal pull of his devils, which Scorsese establishes (perhaps too patly) in a childhood prologue bathed […]
Mulholland Dr. (2001) – David Lynch pulled a near magic trick in what can only be an exercise in creative rewriting and re-conception. Taking an open ended TV pilot rejected by the networks, he added 45 minutes and created closure in a weird, mystical logic that, in its unique Lynchian way, makes a twisted emotional […]
The Odyssey (France, 2016) is not Homer’s mythic quest but the epic voyage that Jacques Cousteau took around the world for years of TV documentaries on the exploration for marine life. Lambert Wilson is Jacques-Yves Cousteau in a biographical drama that presents a portrait of a man cultivating an on-screen image very different from the […]
Bertrand Tavernier is both an essential French filmmaker and a dedicated film historian. His epic (over three hours long) documentary My Journey Through French Cinema (France, 2016) combines the two professional callings in a decidedly personal look at the cinema that shaped and excited him as both a cinephile and a filmmaker. Forget the familiar […]
