Hail, Caesar! (2015), the Coen Bros.’s sly lampoon of 1950s Hollywood, is an affectionate and satirical tribute to studio filmmaking and a wittily skewed comedy of cultural politics in early 1950s America, the beginning of the end of the studio era. Set at the fictional Capitol Pictures, an MGM-like studio, and centered on Eddie Mannix […]
Day For Night (France, 1973), François Truffaut’s Oscar-winning love letter to the cinema, celebrates the glorious chaos and creative heartache of making movies. Truffaut himself reigns over the on-screen cinema circus as director Ferrand, an aloof figure juggling productions delays, budget cuts, and the personal crises of his cast and crew as he tries to […]
Olivier Assayas wrote this drama about a veteran actress facing a transition in her career after Juliette Binoche, arguably France’s greatest and certainly most ambitious actress working today, challenged him to write a film centered on women. It was a friendly challenge—she had already starred in two films he wrote for director André Téchiné and […]
The Aviator (2004), Martin Scorsese’s epic biography of the life of Howard Hughes, is his love-letter to the old-Hollywood bio-pic. This is high-style filmmaking wrapped up in a tormented hero whose soaring flights of greatness are matched by the mortal pull of his devils, which Scorsese establishes (perhaps too patly) in a childhood prologue bathed […]
Hugo (2011), Martin Scorsese’s first family film (it’s PG!) and his first engagement with 3D, is a love letter to the magic of cinema. Based on the novel by Brian Selznick, it is a tribute to early film pioneer George Méliès (played by Ben Kinsgley), a child’s adventure through a grown-up world of loss and […]
Mulholland Dr. (2001) – David Lynch pulled a near magic trick in what can only be an exercise in creative rewriting and re-conception. Taking an open ended TV pilot rejected by the networks, he added 45 minutes and created closure in a weird, mystical logic that, in its unique Lynchian way, makes a twisted emotional […]
What Price Hollywood? (1932) is one of the wittiest and most interesting Hollywood movies about Hollywood culture ever made. It’s a shame it’s not better known. This pre-code comedy stars Constance Bennett as an aspiring actress waiting tables at The Brown Derby who gets her big break when a drunken film director (Lowell Sherman) invites […]
Bertrand Tavernier is both an essential French filmmaker and a dedicated film historian. His epic (over three hours long) documentary My Journey Through French Cinema (France, 2016) combines the two professional callings in a decidedly personal look at the cinema that shaped and excited him as both a cinephile and a filmmaker. Forget the familiar […]
Free Enterprise (1999) is in some ways yet another Gen-X Peter Pan story of young adults living their lives through pop culture references while avoiding real world responsibility, but director Robert Meyer Burnett and co-writer Mark A. Altman definitely know their world of movie and media saturated SF geeks with dreams of making it in […]
Boogie Nights (1997), the sophomore feature from Paul Thomas Anderson, is a surprisingly vibrant, funny, and at times quite warm story of a dysfunctional filmmaking family in the adult film industry of the late 1970s. Partially inspired by the life of porno star John Holmes, it stars Burt Reynolds as a quiet but firm director […]
