Raiders! The Story of the Greatest Fan Film Ever Made (2016) – The legend is true. In 1982, 12-year-old friends Chris Strompolos, Eric Zala, and Jayson Lamb started shooting a shot-for-shot remake of Raiders of the Lost Ark on a borrowed VHS camcorder in their small Mississippi town. Chris played Indiana Jones, Eric directed and […]
Preston Sturges simultaneously lampoons and embraces Hollywood in his comedy masterpiece Sullivan’s Travels (1941). A very low-key Joel McCrea play John Sullivan, a popular Hollywood director of lowbrow hits like Ants in Your Pants of 1939 who decides to make a serious film about social strife and human suffering called O Brother, Where Art Thou […]
Meek Will Proudfoot (Bill Milner), a wide-eyed naïf in a repressive religious sect, and “devil child” Lee Carter (Will Poulter), a belligerent school troublemaker, becomes unlikely partners in Garth Jennings’ fanciful, funny Son of Rambow (2008). They’re odd couple buddies born of convenience (on Lee’s part) and naiveté (that would be Will) but forged in […]
Gods and Monsters (1998), Bill Condon’s first collaboration with Ian McKellen (the star of his Sherlock Holmes-in-retirement drama Mr. Holmes), is also a speculation on the final days of an aging artist whose failing memory haunts him. This one happens to be a real-life figure: James Whale, the debonair, openly gay British director who came […]
Mulholland Dr. (2001) – David Lynch pulled a near magic trick in what can only be an exercise in creative rewriting and re-conception. Taking an open ended TV pilot rejected by the networks, he added 45 minutes and created closure in a weird, mystical logic that, in its unique Lynchian way, makes a twisted emotional […]
Hugo (2011), Martin Scorsese’s first family film (it’s PG!) and his first engagement with 3D, is a love letter to the magic of cinema. Based on the novel by Brian Selznick, it is a tribute to early film pioneer George Méliès (played by Ben Kinsgley), a child’s adventure through a grown-up world of loss and […]
Hail, Caesar! (2015), the Coen Bros.’s sly lampoon of 1950s Hollywood, is an affectionate and satirical tribute to studio filmmaking and a wittily skewed comedy of cultural politics in early 1950s America, the beginning of the end of the studio era. Set at the fictional Capitol Pictures, an MGM-like studio, and centered on Eddie Mannix […]
Day For Night (France, 1973), François Truffaut’s Oscar-winning love letter to the cinema, celebrates the glorious chaos and creative heartache of making movies. Truffaut himself reigns over the on-screen cinema circus as director Ferrand, an aloof figure juggling productions delays, budget cuts, and the personal crises of his cast and crew as he tries to […]
Olivier Assayas wrote this drama about a veteran actress facing a transition in her career after Juliette Binoche, arguably France’s greatest and certainly most ambitious actress working today, challenged him to write a film centered on women. It was a friendly challenge—she had already starred in two films he wrote for director André Téchiné and […]
The Aviator (2004), Martin Scorsese’s epic biography of the life of Howard Hughes, is his love-letter to the old-Hollywood bio-pic. This is high-style filmmaking wrapped up in a tormented hero whose soaring flights of greatness are matched by the mortal pull of his devils, which Scorsese establishes (perhaps too patly) in a childhood prologue bathed […]
