Set in the world of London theater in the mid-1880s, Topsy-Turvy (1999) tackles the creative partnership between W. S. Gilbert and Arthur Sullivan, the reigning kings of light operetta, at a turning in their career. Their work has become repetitive, their latest show a disappointment, and the partnership is under strain as composer Sullivan (Allan […]
Ingmar Bergman created The Magician (Sweden, 1958), in the midst of his most fertile and prolific period of filmmaking. It’s a chamber drama about a travelling medicine show fronted by a mute mesmerist (Max von Sydow) that enters into a battle of wills with the Minister of Health (Gunnar Björnstrand), a rationalist who considers the […]
Olivier Assayas wrote this drama about a veteran actress facing a transition in her career after Juliette Binoche, arguably France’s greatest and certainly most ambitious actress working today, challenged him to write a film centered on women. It was a friendly challenge—she had already starred in two films he wrote for director André Téchiné and […]
With The Imaginarium of Doctor Parnassus (2009) Terry Gilliam, the mad imagineer of such wickedly funny and wildly creative visions as Brazil and The Adventures of Baron Munchausen and Twelve Monkeys (okay, that last one isn’t quite so funny), dives back into his diabolical imagination for this carny sideshow of a Faust tale in the […]
With The Illusionist (France, 2010), animator Sylvain Chomet (of the delirious The Triplets of Belleville) transforms an unproduced script by they great French auteur Jacques Tati (Mon Oncle) into a tender tale of a French magician and a Scottish girl in the theater-folk society of London as the old world of stage performance gives way […]
Ingmar Bergman’s reputation is built on a foundation of introspective human dramas and personal crises steeped in philosophical discussions, conversations that scrape tender emotions and troubled relationships laid bare. And yes, his career is filled with such cinema, much of it dark, most of it very serious and all of it (to a greater or […]
Yankee Doodle Dandy (1942) – James Cagney won his only Academy Award playing George M. Cohan in the rousing bio-pic directed by Michael Curtiz, who was the top director at Warner Bros. and arguably the studio’s most versatile filmmaker at the time. Cagney was a song-and-dance man before he found fame as a movie tough […]
Anna Magnani stars as the earthy, vivacious diva of The Golden Coach (France/Italy, 1952), an adaptation of a Prosper Merimee play about a traveling troupe of Italian commedia dell’arte players in a Peruvian backwater where three men (a viceroy, a bullfighter, and a fellow performer) vie for the affections of the company’s leading lady. An […]
