King of Kings (1961), Nicholas Ray’s epic drama of the story of Christ (and ostensible remake of Cecil B. DeMille’s 1927 silent classic), has less spectacle than the other epics of its era but it remains one of the most interesting and perceptive Biblical epics of its era. Narration (by Orson Welles) takes us back […]
The Passion of the Christ (2004), Mel Gibson’s passionate, personal, and visceral take on the final 12 hours of Christ’s life on Earth is, in its own way, as controversial as Martin Scorsese’s adaptation of Nikos Kazantzakis’ The Last Temptation of Christ. Taking the Gospels as his source, Gibson creates his own cinematic version of […]
I am not religious but I love stories of The Christ. I don’t mean Ben-Hur (though I do love both the original silent and Charlton Heston versions of the film) but films like Nicholas Ray’s King of Kings, Martin Scorsese’s The Last Temptation of Christ, and Mel Gibson’s The Passion of the Christ, all very […]
Anyone who has followed the career of Paul Schrader could fall into the trap of simply cataloguing the ways in which First Reformed (2018) is a summation of his themes and inspirations. Imagine the promotional possibilities: “From the author of “Transcendental Cinema” and “Notes on Film Noir” and the screenwriter of Taxi Driver and The Last […]
The original The Wicker Man (1973) begins as a murder mystery and turns into something else entirely. Edward Woodward stars as the stiff English police detective who is sent to a remote Scottish island to investigate the disappearance of a young girl and discovers a culture living a happy “heathen” lifestyle, lorded over (literally) by […]
The Witch (2015) is a primal horror film rooted in fear and superstition, and there is no shortage of either in early 17th century New England, where a devout Puritan father has taken his family to start a new life. Adding to the general hardship of British village folk carving a new colony out of […]
Take the title at face value: Doubt (2008), directed and adapted for the screen by playwright John Patrick Shanley, does not offer answers. Rather, it challenges us to understand our own instincts to believe in the absence of proof. Sunny, optimistic idealist Sister James (Amy Adams), a young nun teaching history to junior high boys […]
