The Departed (2006), Martin Scorsese’s return to American urban crime cinema, became the biggest hit of his career and earned him his very first Academy Award for Best Director. Leonardo DiCaprio is Billy Costigan, a street thug working for South Boston crime boss Frank Costello (Jack Nicholson), and Matt Damon is Colin Sullivan, a rising […]
Between his breakthrough hit Memento and his blockbuster smash Batman Begins, Christopher Nolan helmed Insomnia (2002), the American remake of the icy, sun-bright 1997 Norwegian noir. Relocated to Alaska and starring Al Pacino in the role played by Stellan Skarsgård in the original, it’s built on the same motif: the 24 hour daylight of the […]
Mildred Pierce (2011) is less a remake than a new run at adapting the James M. Cain novel. Previously made into a Hollywood classic (which earned Joan Crawford her only Oscar), it’s been transformed into a five-hour mini-series by director Todd Haynes, who cast Kate Winslet in the title role as the mother blindly devoted […]
Hammer Films’ greatest nemeses, Peter Cushing and Christopher Lee, once again square off in The Mummy (1959), the studio’s reworking of Universal’s The Mummy (with elements of The Mummy’s Tomb and The Mummy’s Ghost thrown in for good measure). Cushing stars as archaeologist John Banning, whose dig for a lost tomb results in untold treasures […]
After Hammer’s tremendous success with The Curse of Frankenstein, they struck a deal to adapt Universal studio’s catalogue of classics. The Horror of Dracula (1958) was their first follow-up. Christopher Lee removes the monstrous make-up from the earlier film and makes his entrance as an elegant, confident, altogether seductive Dracula, a frightening figure of flashing […]
Britain’s Hammer Studios had been making films for decades before they suddenly redefined themselves with this lurid remake of the Universal Studios horror classic. Prohibited by Universal from copying their blocky make-up (and their script for that matter), Hammer returned to Mary Shelley’s novel for inspiration for The Curse of Frankenstein (1957)… and then went […]
Nosferatu the Vampyre (Germany, 1979), Werner Herzog’s eerie color remake of F.W. Murnau’s original vampire classic (itself an unauthorized version of Bram Stoker’s Dracula), is at once faithful to Murnau’s film and quintessentially Herzogian. Klaus Kinski, Herzog’s demon alter ego, is both hideous and haunting as the chalk-skinned gargoyle, a melancholy monster seeking an end […]
Let Me In (2010), a remake of Let the Right One In, the Swedish coming-of-age horror movie-turned-adolescent survival drama in the wilds of suburban civilization, is as unexpected as can be: an American revision of a celebrated European film that honors the original while translating its anxiety and unease to a distinctly American setting. If […]
Brian De Palma’s Scarface (1983), ostensibly a remake of the Howard Hawks gangster classic, moves the iconic rise and fall crime opera from the tommy-gun gangster street battles of the prohibition era to the cocaine wars of Florida in the eighties. In the process, De Palma, screenwriter Oliver Stone, and star Al Pacino carved out […]
Jane Wyman’s Helen Hudson is the widow of a self-sacrificing surgeon. Rock Hudson’s Bob Merrick is an arrogant millionaire playboy whose reckless ways and attitude of entitlement indirectly lead to the death of Helen’s husband and to an accident that leaves her blind. The “magnificent obsession” of the title refers to a spiritual philosophy of […]
