Jacques Demy, the most romantic of the French nouvelle vague filmmakers, loved American movies, especially musicals, but his taste for American musicals and candy-colored romance was balanced with a bittersweet sensibility. For all the energizing music and dreamy love affairs, his romances more often than not don’t really get happy endings. Kanopy presents these essentials. […]
Jane Eyre (2011), starring Mia Wasikowska as the fiercely self-possessed governess Jane and Michael Fassbender as the darkly attractive and grimly tormented Edward Rochester, is the best kind of reminder why the classics remain alive after centuries and can be effectively remade every generation or so. This one comes from American director Cary Fukunaga and […]
Lifetime Channel original series The Witches of East End (2013-2014) is not a remake of The Witches of Eastwick, mind you (creator Maggie Friedman already tried that) but a femme-centered supernatural series centered on a family of witches beset by a curse. Joanna Beauchamp (Julia Ormond) is immortal and doomed to watch her two daughters […]
The African desert, WWII, and romance… no doubt about it, The English Patient (1996) is a Casablanca for the 90s, directed with sweep, elegance, and grand passions by Anthony Minghella from his screenplay adaptation of Michael Ondaatje’s novel. Ralph Fiennes, scarred by fire and buried under bandages like an Egyptian mummy, is the mysterious patient […]
Charlie Kaufman, the screenwriter of Being John Malkovich and Adaptation, offers his most poignant and touching work in Eternal Sunshine of the Spotless Mind (2004). You wouldn’t even know it was his work from the opening of the film, an awkwardly sweet romantic flirtation between shy sad sack Joel (Jim Carrey in his least mannered […]
L’Atalante (France, 1934), the sole feature from French filmmaker Jean Vigo, is a vision of everyday poetry. The romantic story of a young couple (Jean Daste and Dita Parlo) who marry and move onto a cramped barge that drifts through the canals of France is a simple tale, as much a visual song as a […]
People on Sunday (Germany, 1920) is a delightful, effervescent rarity from the late silent era with irresistible bona fides. Not only did this low-budget 1930 German film influence a generation of filmmakers, it launched the careers of some mighty impressive talents who, as hungry young filmmakers, collaborated on this buoyant little portrait of a lazy […]
There may be no more sensual director in the world than Hong Kong’s Wong Kar-Wai, and In the Mood for Love (Hong Kong, 2000) is one of his richest and most melancholy works, a shadow dance of would-be lovers sketched in suggestions and intimations. Maggie Cheung and Tony Leung Chiu-Wai star as next door neighbors […]
Rock Hudson and Jane Wyman were so successful in Douglas Sirk’s Magnificent Obsession that they all reteamed for All that Heaven Allows (1955) as Sirk became Universal’s house melodramatist. He turned improbable plots into social commentary and pulling back the covers of middle class hypocrisy with an ironic visual style and an almost operatic emotional […]
French filmmaker Arnaud Desplechin makes films about the messiness of families, lovers, and creative lives that can become quite messy in their telling. Ismael’s Ghosts (France, 2018) jumps abruptly back and forth in time and between biography and fiction and dreams, smudging the line between biography, fiction, and artistic imagination. Desplechin regular Mathieu Amalric is […]
