You could call the conspiratorial wartime thriller Ministry of Fear (1944) Hitchcockian, at least in its play with an innocent man swept up in international intrigue, but the sensibility comes from its director, Fritz Lang. Ray Milland is the wrong man here, recently released from a mental asylum (he was sentenced for the mercy killing […]
A Most Wanted Man (2014) is the final film completed by Philip Seymour Hoffman before his untimely death in 2014. That alone is reason enough to see the film, adapted from the post 9/11 novel by John le Carré and directed by Anton Corbijn, a music video veteran who becomes more accomplished with each feature. […]
Our Kind of Traitor (2016), based on the 2010 novel by John le Carré, drops a civilian couple in the midst of international intrigue involving Russian mobsters and British Intelligence. Ewan McGregor is a professor of poetics trying to salvage a petrified romance on a vacation trip in Morocco with his girlfriend Gail (Naomie Harris), […]
Sleek pulp crime cool meets arthouse style thriller in Drive (2011, R) starring Ryan Gosling as a taciturn getaway driver. Directed by Nicolas Winding Refn (a veteran of gritty, brutal Danish underworld dramas) with a silky smoothness and a stylized cool that recalls Le Samourai and Walter Hill’s The Driver, and an eighties vibe and […]
Carnival of Souls (1962), an imaginative tale of a chilly church organist who is haunted by apparitions (looking very zombie-like in greasepaint make-up) is a minor masterpiece of independent genre filmmaking of the sixties. Candace Hilligoss stars as a young woman who stumbles out of the river after the car she was in goes through […]
Michael Powell lays bare the cinema’s dark voyeuristic underside in his disturbing psychodrama Peeping Tom (1960). Handsome young Karlheinz Böhm (billed as Carl Boehm) is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (Michael Powell in a perverse cameo) […]
George Franju’s perverse and poetic Eyes Without a Face (France, 1959) is at once lyrical, haunting, and deviant, an elegantly horrifying classic of sadism and shadowy grace. A famed plastic surgeon (Pierre Brasseur), wracked with guilt over disfiguring his once beautiful daughter (Edith Scob) in car wreck, lures young woman to his secluded mansion with […]
Psycho (1960) shocked America in 1960. Suburban theatergoers headed to the theaters to see the latest offering from the director of the glamorous and sexy Rear Window and the Technicolor confection North by Northwest. Who expected the droll host of TV’s showcase for suspense, Alfred Hitchcock Presents, to get so down and dirty and tawdry. […]
The original The Wicker Man (1973) begins as a murder mystery and turns into something else entirely. Edward Woodward stars as the stiff English police detective who is sent to a remote Scottish island to investigate the disappearance of a young girl and discovers a culture living a happy “heathen” lifestyle, lorded over (literally) by […]
In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
