Henri-Georges Clouzot was called the Hitchcock of France for his shadowy thrillers and the atmosphere of distrust and suspicion that ran through so many of his films. Diabolique (France, 1955, not rated, with subtitles), his 1955 thriller about a plot to commit a perfect murder and the wrenching tension when the corpse disappears, plays like […]
Originally published on the Film Noir Foundation website The Criterion Channel launched earlier this year with a spotlight on American film noir. This month, it celebrates the shadows of international crime dramas, gangster films, and thrillers. The Complete Jean-Pierre Melville All 14 Melville films, from his debut documentary short 24 Hours in the Life of a […]
Anna Kendrick is spot on casting as single mother Stephanie Smothers (mother is right there in her name, though she stops short of smothering), a suburban overachiever with a schoolboy son, a chirpy homemaking vlog, and a need to get involved in everything. Into her life steps Emily Nelson (Blake Lively), a sleek urban professional […]
Das Boot (Germany/France, 2019) shares the same title as Wolfgang Petersen’s 1981 film (and is technically a sequel), but familiarity with the original is unnecessary to start the series. Also based on the novel Das Boot by Lothar-Günther Buchheim as well its sequel Die Festung, the 2019 series is set in late 1942, nine months after the film’s finale, […]
We can thank Wonder Woman for the miniseries I Am the Night. Director Patty Jenkins not only connected with her star, Chris Pine, over the project, but Pine’s interest inspired a new character in the screenplay her husband, Sam Sheridan, was writing. The result is an “inspired by a true story” six-part TV-miniseries as dark and lurid as […]
In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
Mulholland Dr. (2001) – David Lynch pulled a near magic trick in what can only be an exercise in creative rewriting and re-conception. Taking an open ended TV pilot rejected by the networks, he added 45 minutes and created closure in a weird, mystical logic that, in its unique Lynchian way, makes a twisted emotional […]
The Damned (aka Les maudits) (France, 1947) is a superb title for this noir-tinged 1947 French war thriller from René Clément. In the final days of World War II, as the Third Reich falls under the Allied advance, the Nazis send a special team on a secret mission to South America by submarine to prepare […]
There is a particular kind of challenge to making a movie tethered to a single, self-contained location where the dialogue is conducted almost entirely over the phone and the story plays out in real time. When it works—and look no farther than Steven Knight’s Locke (2013) with Tom Hardy navigating a life-altering action while driving […]
Debra Granik’s Winter’s Bone (2010), set in the crime and poverty of the Ozark Mountains, is a coming-of-age survival story in an outlaw culture where meth labs have replaced moonshine stills and the code of silence is enforced with pitiless finality. Jennifer Lawrence was revelation as the 17-year-old Ree, who has grown up fast to […]
