“I want to write The Maltese Falcon, record ‘Blue Suede Shoes’ and play Las Vegas.” So proclaims Eddie Ginley (Albert Finney), a small-time bingo caller and wannabe stand-up comic, to his therapist in the opening scene of Gumshoe (1971). But he’ll settle for running an ad in the local paper offering his services as a […]
Debra Granik’s Winter’s Bone (2010), set in the crime and poverty of the Ozark Mountains, is a coming-of-age survival story in an outlaw culture where meth labs have replaced moonshine stills and the code of silence is enforced with pitiless finality. Jennifer Lawrence was revelation as the 17-year-old Ree, who has grown up fast to […]
A Most Wanted Man is the final film completed by Philip Seymour Hoffman before his untimely death in February and that alone is reason enough to see the film, adapted from the post 9/11 novel by John le Carré and directed by Anton Corbijn, a music video veteran who becomes more accomplished with each feature. […]
“I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered. I am my own man.” There are those who proclaim The Prisoner: Complete Series (1968), Patrick McGoohan’s cerebral spy show and portrait of personal freedom as an existential prison, the greatest TV show of all time. I won’t argue the point. His insidiously […]
Donnie Darko (2001) – Donnie Darko (Jake Gyllenhaal) is an otherwise normal rebellious, angry kid who slumps and frumps his way through the confusion of his life. He just happens to have a little more confusion than the most of us, much of it caused by visitations from a demonic looking six-foot rabbit named Frank […]
Carol Reed’s continental film noir The Third Man (1949), written by Graham Greene and starring Joseph Cotten as a cynical American pulp novelist playing detective in the rubble-strewn underworld of post-war Vienna and Orson Welles as a charming but ruthless black marketeer, is one of the true classics. The film is directed by Reed but […]
Dressed to Kill (1980), Brian De Palma’s signature thriller and one of his best films ever, has been called De Palma’s take on Hitchcock’s Psycho and the parallels are undeniable: a sexually independent heroine (Angie Dickinson) who is murdered in the opening act, the amateur detectives (Keith Gordon and Nancy Allen) who team up to […]
The horror of Roman Polanski is not about spectacle and shock, but a goose-pimply sense of something evil lurking just outside the frame and hidden behind the faces of its slightly unsettling characters. At times The Ninth Gate (1999), adapted from the novel The Club Dumas by Arturo Perez-Reverte, recaptures the beautiful uneasiness of such […]
Roman Polanski once cited Cul-De-Sac (1966), a sly little character piece set in an isolated medieval castle on the barren British coast, as his personal favorite of his films, and the closest he came to creating “pure cinema.” It’s Polanski’s third feature and his second English language film, and he wrote the original script with […]
“This story is true. I give it as it is, without embellishment.” That’s an understatement of an opening remark. A Man Escaped (France, 1956) is a mesmerizing meeting of opposites: a prison escape thriller directed by the austere, introspective Robert Bresson. Based on the memoir by Andre Devigny, a member of the French Resistance imprisoned […]
