The Leopard (Italy, 1963), Luchino Visconti’s adaptation of Giuseppe di Lampedusa’s novel (said to be a national touchstone for Italy), is his masterpiece. Burt Lancaster (his voice is dubbed by a deep-voiced Italian) may seem an unusual choice to play Prince Don Fabrizio Salina, an idealistic 19th century Sicilian prince (Visconti favored Laurence Olivier, a […]
“Do you want to meet a ghost?” The meditative and metaphysical horror cinema of Kiyoshi Kurosawa made him one of the masters of Japanese horror during its amazing cycle of surreal and nightmarish horror films of the 1990s and 2000s, but his films never really crossed over to the general audience in the U.S. His […]
As loving and perceptive a tribute to the power and legacy of movies as I’ve ever seen, Satoshi Kon’s animated drama Millennium Actress (Japan, 2001) deftly weaves history and film and memory into an imaginative meditation on way the movies become a part of our lives. It’s Not exactly the first thing you’d expect from […]
The Broken Circle Breakdown (Belgium, 2012) is devastating. And I mean that in all the best ways. The story of a passionate love rocked by tragedy, it is both joyous and anguished, celebratory and sad. It’s set in a subculture of bluegrass aficionados in Belgium (who knew?), where it is practically love at first sight […]
Iron Sky (Germany, 2012) is an inspired concept—Hitler escaped Germany with a cadre of Nazi loyalists and established a colony on the dark side of the moon—executed with total conviction, at least in the physical details. This isolated outpost lives in a steampunk world forged from the legacy of Krupp machineworks, all giant gears and […]
Bernardo Bertolucci’s The Conformist (1970), his dense, visually intricate, and stylistically ornate adaptation of the revered novel by Alberto Moravio, tosses sex, desire, politics, and personal responsibility into the Fascist era before World War II. Marcello (an actively repressed Jean-Louis Trintignant), a petty bourgeois man in late 1930s Italy, joins the Italian Fascist party as […]
Akira Kurosawa Ran (Japan, 1985), the story of an aging warlord who hands power to his sons is loosely inspired by the story of sixteenth century warlord Mōri Motonari, who conquered his rivals and extended his kingdom with the help of his three sons. The script, however, is firmly built on King Lear, with sons […]
The Blue Angel (1930) – American director Josef von Sternberg went to Germany to direct Emil Jannings in his transition from silent to sound cinema and returned to Hollywood with an international hit and a new star: Marlene Dietrich. Not exactly what Jannings had in mind, but then how could he know that his thick, […]
French filmmaker Arnaud Desplechin makes films about the messiness of families, lovers, and creative lives that can become quite messy in their telling. Ismael’s Ghosts (France, 2018) jumps abruptly back and forth in time and between biography and fiction and dreams, smudging the line between biography, fiction, and artistic imagination. Desplechin regular Mathieu Amalric is […]
Bitcoin Heist (Vietnam, 2016) is a conundrum of a title. After all, Bitcoin is a virtual currency and a heist suggests, well, something a little more physical than computer hacking. That’s part of the fun of this colorful and zippy Vietnamese action film: old-fashioned heist thriller meets the high-tech world of cybercrime, a production modeled […]
