Mulholland Dr. (2001) – David Lynch pulled a near magic trick in what can only be an exercise in creative rewriting and re-conception. Taking an open ended TV pilot rejected by the networks, he added 45 minutes and created closure in a weird, mystical logic that, in its unique Lynchian way, makes a twisted emotional […]
E.T. the Extra-Terrestrial (1982), Steven Spielberg’s suburban fairy tale for kids who think they are too hip to believe in fairies, is as glorious as ever 35 years after its debut. Henry Thomas is Elliot, an emotionally bruised kid suffering under his parents’ separation who finds another lonely, lost soul, a benevolent alien left behind […]
The original The Day the Earth Stood Still (1951) remains the most thoughtful of the first contact films. Michael Rennie makes a striking American film debut as Klaatu, the well-spoken stranger from outer space who lands his saucer in Washington D.C. to speak to the world’s leaders. They shoot first, of course, and Klaatu escapes […]
A wounded figure lies helplessly bleeding in the backseat of a car recklessly careening through city streets while a pistol blasting thug in a souped-up pickup drives the fleeing car into a shattering crash. The jerky in-your-face camerawork, raw, earthy colors, and jagged editing looks just like a low budget crime picture that exploded from […]
David Lynch looks behind the smiling faces and stucco houses of small town America and finds a shadow world of pure evil in Blue Velvet (1986). From the opening shots Lynch turns the Technicolor picture postcard images of middle class homes and tree lined lanes into a dreamy vision on the edge of nightmare. College […]
