A rare screen adaptation of a beloved novel to maintain the emotional and dramatic power of the original while establishing its own distinctive approach to the story, One Flew Over the Cuckoo’s Nest (1975) is an underdog masterpiece. “It was a classic story: the story of an individual fighting the system,” is how producer Michael […]
John Boorman had only one feature to his credit, the rock and roll lark Catch Us If You Can with the Dave Clark Five, when he came to Hollywood to direct the one-of-kind thriller Point Blank (1967). Boorman’s film, based on Richard Stark’s novel “The Hunter,” shuffles the story of a gunman named Walker (Lee […]
McCabe & Mrs. Miller (1971), Robert Altman’s third film since staking out his claim on 1970s cinema with M*A*S*H (1970), turns the western myth into a metaphor for the fantasy of the American Dream colliding with the power of big business. Warren Beatty is John McCabe, a drifting gambler who rides into the mining camp […]
In Scary Movie 3 (2003), David Zucker (co-creator of the Airplane!, the godfather of all movie spoofs) took over the horror movie lampoon franchise previously under the control of the Wayan Brothers and rejuvenated it. Where the Wayans had a mean-spirited edge to their rude and raunchy humor, Zucker plays it in a cartoonish, anything […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
Performance (1970) may have been released in 1970 but this collision of London gangster machismo and drug culture, where “Nothing is true; everything is permitted,” is unmistakably a product of the sixties. Mick Jagger makes his feature acting debut as Turner, a reclusive rock star in a dilapidated manor home in a London slum, but […]
The African desert, WWII, and romance… no doubt about it, The English Patient (1996) is a Casablanca for the 90s, directed with sweep, elegance, and grand passions by Anthony Minghella from his screenplay adaptation of Michael Ondaatje’s novel. Ralph Fiennes, scarred by fire and buried under bandages like an Egyptian mummy, is the mysterious patient […]
Charlie Kaufman, the screenwriter of Being John Malkovich and Adaptation, offers his most poignant and touching work in Eternal Sunshine of the Spotless Mind (2004). You wouldn’t even know it was his work from the opening of the film, an awkwardly sweet romantic flirtation between shy sad sack Joel (Jim Carrey in his least mannered […]
Anyone who has followed the career of Paul Schrader could fall into the trap of simply cataloguing the ways in which First Reformed (2018) is a summation of his themes and inspirations. Imagine the promotional possibilities: “From the author of “Transcendental Cinema” and “Notes on Film Noir” and the screenwriter of Taxi Driver and The Last […]
“There are over 550 million firearms in worldwide circulation. That’s one firearm for every twelve people on the planet. The only question is: How do we arm the other 11?” The opening line of Andrew Niccol’s Lord of War (2005) captures the film in a phrase: it’s serious, it’s sardonic, and it has both a […]
