Albert Pyun turns post-apocalyptic spy-story into a visceral thrill ride of sleekly designed action sequences driven by a dancing camera and a breakneck editing rhythm.
A monster movie adventure powered by creative kids, a love of movies, and a foundation of mystery and wonder from school kids old enough to make their own zombie movie on super 8 film and young enough to get so excited by it.
Clive Owen is a reluctant hero in a bleak future who is roused by what may be a miracle in Alfonso Cuaron’s magnificently crafted science fiction thriller.
Plus ‘Tusla King’ on Paramount+, Ryan Reynolds in ‘Spirited’ on Apple TV+, ‘The Santa Clauses’ on Disney+, ‘Slumberland’ on Netflix, ‘The Forgiven’ on Hulu, ‘People We Hate’ on Prime Video
It’s all in the hats as two lovers run from a team of “adjusters” who are responsible for “fixing” mistakes in the timeline and have deemed their romance a mistake. It’s based on a story by Philip K. Dick.
Before ‘Top Gun: Oblivion,’ Joseph Kosinski directed Tom Cruise in this visuallty exciting if somewhat derivative science fiction thriller set in a post-apocalyptic future.
The greatest atomic age giant monster rises from the radioactive depths and descends upon Tokyo in the 1954 classic, now restored to its original Japanese cut.
Ominous title aside, this 1953 science fiction classic is one of the more optimistic movies about visitors from the stars, and in its way was an inspiration for Steven Spielberg’s ‘E.T.’
This mix of body-snatcher science fiction, crime thriller, and offbeat buddy cop drama is one of the better genre-mashups to come out of 1980s American cinema.
