The Friends of Eddie Coyle (1973), adapted from the terrific novel by George V. Higgins and produced in the wake of The French Connection, is probably the least heralded crime movie classic of the seventies. Robert Mitchum is Eddie ‘Fingers’ Coyle, a middleman working the fringes of the Boston underworld while awaiting sentencing, which prompts […]
“This boy… and this girl… were never properly introduced to the world we live in…,” begins They Live By Night (1948), a bubble of a brief, idealized vision of young love immediately swept away in the urgency and desperation of the prison break in the very next scene. The directorial debut of American filmmaker Nicholas […]
The story of a boy and his bird, Kes (1969) is something of a small cinematic treasure in Britain. Set and shot in the North of England and cast overwhelming with non-professional locals from the area, it cast its lens on the dreary life and hopeless future of a scrawny, fatherless teenager, Billy Casper (David […]
I can’t begin to find the words to describe House (1977), aka Hausu, an unclassifiable Japanese haunted house/high school romp/demon killer/surreal fantasy film from Nobuhiko Obayashi. Made in 1977 and recently revived and released to the rest of the world, it’s the archival cult find of the decade: a candy-colored style bomb of horror movie […]
Rosemary’s Baby (1968), Roman Polanski’s American directing debut, is one of the most celebrated American horror films of all time, but horror isn’t really the right description for this film. Yes, it is about a cabal of devil worshippers in modern day (circa late 1960s) and an innocent served up to bear Satan’s child, but Polanski […]
Henri-Georges Clouzot was called the Hitchcock of France for his shadowy thrillers and the atmosphere of distrust and suspicion that ran through so many of his films. Diabolique (France, 1955, not rated, with subtitles), his 1955 thriller about a plot to commit a perfect murder and the wrenching tension when the corpse disappears, plays like […]
The original Cat People (1942) was made on a low budget for RKO’s B-movie unit, the first in an amazing series of B-horror films from producer Val Lewton that transcended its origins. It’s a masterpiece of mood and psychological ambiguity masquerading as a cheap exploitation knock-off. Cheap it is, but Lewton and director Jacques Tourneur […]
Steven Soderbergh’s Che (2008) is both two features and one work, a 4 ½-hour production that carves out what Soderbergh, producer/star Benicio Del Toro, and screenwriter Peter Buchman see as the two defining periods in the life of Ernesto Che Guevara: the Cuban Revolution and the Bolivian expedition. Except for a brief scene where Guevara […]
Peter Fonda was already a counterculture icon when he suited up in black leather and a star-spangled helmet, mounted a Harley-Davidson chopper, tossed his watch to the desert floor, and drove off with a shaggy Dennis Hopper in search of America. The film was Easy Rider (1969), an independent film produced by Fonda, directed by Hopper, […]
Delmer Daves was a Hollywood pro with a long career and an impressive filmography when he made Jubal (1956). A screenwriter turned director, Daves moved easily between all genres—war pictures, romances, westerns, Biblical epics, and a few noir-inflected dramas—and oddly enough found his biggest success in glossy melodrama A Summer Place, but I think he […]
