McCabe & Mrs. Miller (1971), Robert Altman’s third film since staking out his claim on 1970s cinema with M*A*S*H (1970), turns the western myth into a metaphor for the fantasy of the American Dream colliding with the power of big business. Warren Beatty is John McCabe, a drifting gambler who rides into the mining camp […]
In the Hong Kong action movie explosion of the eighties, when the craziest, most kinetically energetic and narratively surreal action movies were pouring out of the Hong Kong film studios at a breakneck pace, Jackie Chan’s Police Story (Hong Kong, 1985) was one of the films that both defined and redefined the industry while firmly […]
Great Expectations (1946), David Lean’s handsome adaptation of Charles Dickens’ classic novel, captures the warm humor and richness of character that so many filmmakers miss in their reverent recreations of Victorian England. From the nightmarish opening sequence on the windswept graveyard where young orphan Pip (Anthony Wager) meets the desperate escaped criminal Magwitch (Finlay Currie) […]
The Curious Case of Benjamin Button (2008) – F. Scott Fitzgerald’s short story is expanded into a sweeping survey of 20th century history and culture as seen through the eyes of a man who is born old and grows younger through the century. Brad Pitt completely commits to the part of the old/young man who […]
Not to be confused with the Jonathan Demme screwball comedy/thriller by the same name, the 1962 Something Wild is an unusually frank and sensitive drama about a teenage girl recovering from rape. The film opens on the assault, a non-explicit scene that communicates both the violence of the rape and the terrible sense of violation […]
The Age of Innocence (1993) is not the only costume drama or historical picture that Martin Scorsese made but it is his only classical literary adaptation from the filmmaker that, all these years later, we still remember for edgy violence and cinematic energy. But even from the director of The Last Temptation of Christ, Kundun, […]
Mulholland Dr. (2001) – David Lynch pulled a near magic trick in what can only be an exercise in creative rewriting and re-conception. Taking an open ended TV pilot rejected by the networks, he added 45 minutes and created closure in a weird, mystical logic that, in its unique Lynchian way, makes a twisted emotional […]
In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
“I love this dirty town.” The first and only time that Burt Lancaster’s J.J. Hunsecker drops the cynical twist from his clenched smile and allows genuine appreciation cross his face in Sweet Smell of Success (1957) is when he drops that line while strolling down the nighttime streets of Broadway. It’s not a proclamation or […]
Like filmmakers all over the world, Akira Kurosawa’s films took a darker turn after the end of World War II, when the national demands of rousing propaganda films were no longer an industry imperative and filmmaker and audiences faced the challenges of life after war. Here are two of his most interesting and most compelling […]
