Crime cinema has never been so meticulously and coolly executed as in Le cercle rouge (France, 1970). Jean-Pierre Melville’s 1970 heist classic stars Alain Delon and Gian Maria Volonte as coolly professional thieves, Yves Montand as a soused sharpshooter who regains his self-respect when he joins their team, and Andre Bouvril as the unrelenting cop […]
In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
Albert Brooks has been making his offbeat brand of satirical comedies about the neuroses and anxieties of affluent Americans, lost in the bubble of their own insular cultures, for more than 40 years. His third feature Lost in America (1985) remains his most incisive satire and most popular film. Brooks is David, a successful Los […]
It’s common knowledge that filmmaker Richard Linklater and his four central actors—Patricia Arquette and Ethan Hawke as the parents, Lorelei Linklater (the director’s daughter) as the older sister, and Ellar Coltrane as Mason, a six-year-old boy as the film begins—shot Boyhood (2014) over the course of 12 years to watch not just Mason but everyone […]
Being John Malkovich (1999), a devastatingly funny portrait of unhappiness, desperation, desire, and the vicious things we do for love, catapulted Spike Jonze from music video wunderkind to visionary director and Charlie Kaufman from sitcom scribe to brilliant screenwriter. In 1999, when our obsession with celebrity was mainly fed by gossip magazines and entertainment programs, […]
The first 15 minutes of Robert Siodmak’s The Killers (1946) remains the most the most faithful adaptation of Ernest Hemingway ever put on screen. Two gunmen from the city (Charles McGraw and William Conrad) take over a small town diner to wait for their target. When he doesn’t show, they take the hit to him, […]
Fred Astaire and Ginger Rogers were the most elegant of Hollywood’s dance teams in the golden age of American musicals and Swing Time (1936) is the peak of their ten-film output. The plot is as absurd as anything from the era: Astaire is a dancer and gambler who is set to marry his hometown sweetheart […]
The Curious Case of Benjamin Button (2008) – F. Scott Fitzgerald’s short story is expanded into a sweeping survey of 20th century history and culture as seen through the eyes of a man who is born old and grows younger through the century. Brad Pitt completely commits to the part of the old/young man who […]
The American Friend (Germany, 1977) – “What’s wrong with a cowboy in Hamburg?” Dennis Hopper’s Tom Ripley is nothing like the character that Patricia Highsmith created and explored in five novels, and while Wim Wender’s adaptation of Ripley’s Game, the sequel to The Talented Mr. Ripley, remains more or less faithful to the plot (with […]
Filmmaker Abdellatif Kechiche explores the lives of outsiders looking for their place in Blue is the Warmest Color (France, 2013) an intimate love story based on a graphic novel. Thanks to Academy rules for foreign films, it wasn’t eligible for an Oscar nomination due to the timing of its French theatrical release. But it took home […]
