Downhill Racer (1969) is the feature debut of Michael Ritchie, the first project that frustrated actor and future movie star Robert Redford developed for himself and the first of Redford’s proposed trilogy about the meaning of “winning” in American culture. That’s what gives such a riveting perspective to what would otherwise be called a “sports […]
From Paris With Love (2009), starring John Travolta as a cowboy of an American agent and Jonathan Rhys Meyers as an ambitious but untrained low-level agent assigned to assist, is another of Luc Besson’s English language Euro-action films, the contemporary equivalent to the drive-in action movie of decades past. Besson has perfected the formula in […]
The Friends of Eddie Coyle (1973), adapted from the terrific novel by George V. Higgins and produced in the wake of The French Connection, is probably the least heralded crime movie classic of the seventies. Robert Mitchum is Eddie ‘Fingers’ Coyle, a middleman working the fringes of the Boston underworld while awaiting sentencing, which prompts […]
The title of It Comes at Night (2017) sets certain expectations. What exactly comes at night? But the survival thriller from writer/director Trey Edward Shults, set sometime after the ravages of an unnamed and unexplained plague have ripped through the cities and sent survivors into the isolation of the wilderness, isn’t about monsters (human or […]
The Pawnbroker (1964), the Sidney Lumet-directed 1964 film based on the novel by Edward Lewis, is a real time capsule. It’s the first American film to really take on the legacy of the Holocaust on a personal level, and it’s set in a Harlem pawnshop where a stream of slum stereotypes wander in and out […]
Using sports as a metaphor for life and love is nothing new but filmmaker Gina Prince-Bythewood, a former college athlete, puts her spin on it with Love & Basketball (2000). Sanaa Lathan is the fiercely driven, hot tempered tomboy Monica, who gives her all for basketball. Omar Epps is Quincy, the son of an NBA […]
Bette Davis could freeze almost anyone with her icy stare, the practiced look of a woman who’s learned how to operate in the man’s world of business, in The Little Foxes (1941), director William Wyler’s film version of Lillian Hellman’s chilly play of greed and power in a Southern family on the edge of financial […]
The Aviator (2004), Martin Scorsese’s epic biography of the life of Howard Hughes, is his love-letter to the old-Hollywood bio-pic. This is high-style filmmaking wrapped up in a tormented hero whose soaring flights of greatness are matched by the mortal pull of his devils, which Scorsese establishes (perhaps too patly) in a childhood prologue bathed […]
The Departed (2006), Martin Scorsese’s return to American urban crime cinema, became the biggest hit of his career and earned him his very first Academy Award for Best Director. Leonardo DiCaprio is Billy Costigan, a street thug working for South Boston crime boss Frank Costello (Jack Nicholson), and Matt Damon is Colin Sullivan, a rising […]
Capturing the life of Brian Wilson, the troubled genius who pushed the surf pop sound of The Beach Boys into psychedelic symphonies as he spiraled into depression, in just a few key years is a tricky proposition. Love & Mercy, a biopic that parallels the boyish enthusiasm and free-flowing creative drive of young visionary Brian […]
