Captain Fantastic (2016) is a road movie, a family drama, a tale of loss, and a loving portrait of an alternative family that is prepared to face everything but the modern world. Viggo Mortensen is Ben, the father who (with his equally committed but currently absent wife) moved into the deep woods of the Pacific […]
Four years after Steven Soderbergh’s “retirement” from feature filmmaking (he found a loophole by making Behind the Candelabra for HBO and creating and directing the cable series The Knick), he returned to the big screen with Logan Lucky (2017), a bouncy, deft, sweetly and cleverly comic heist picture about a pair of hard-luck brothers in […]
Spring Breakers (2012) is not your traditional fun in the sun spring break movie. But then you wouldn’t expect that from Harmony Korine, the self-appointed agent provocateur of American indie cinema confrontation, even with a cast that includes Disney Channel sweethearts Selena Gomez and Vanessa Hudgens. They play two of the four college girls (Ashley […]
Bill Morrison’s films straddle film history and avant-garde expressionism, mining the wealth of silent film history and exploring the abstract beauty of decaying nitrate film, a particularly volatile medium that breaks down over time. Dawson City: Frozen Time (2016) celebrates the “Dawson Film Find” of 1978, thousands of reels of film buried in the permafrost, […]
Rare Exports: A Christmas Tale (Finland, 2010) comes from the land of the original Father Christmas but he’s no cuddly old man who hands out presents at Christmas. This Santa Claus, who has been buried in a man-made glacier like a wooly mammoth, is a child-snatching demon who punishes the naughty with the help of […]
The twist of the ingenious crime drama The Silent Partner (1978) comes early in the film. Miles (Elliott Gould), a teller in a mall bank during the busy Christmas season, figures out that the suspicious Santa (Christopher Plummer) is casing the branch for a robbery. So he plots his own heist, stealing money that will […]
A Most Wanted Man (2014) is the final film completed by Philip Seymour Hoffman before his untimely death in 2014. That alone is reason enough to see the film, adapted from the post 9/11 novel by John le Carré and directed by Anton Corbijn, a music video veteran who becomes more accomplished with each feature. […]
The Thieves (South Korea, 2012) is Asia’s answer to the Ocean’s films, a sleek, snappy heist movie with plenty of working parts, eccentric personalities, and convoluted plotlines complicated even more by a confusing flashback structure more entertaining than elucidating and more twists than you can easily track. The basic premise brings together two separate crack […]
Anyone who has followed the career of Paul Schrader could fall into the trap of simply cataloguing the ways in which First Reformed (2018) is a summation of his themes and inspirations. Imagine the promotional possibilities: “From the author of “Transcendental Cinema” and “Notes on Film Noir” and the screenwriter of Taxi Driver and The Last […]
Night Moves (2013), the fourth film that New York-based director Kelly Reichardt made in Oregon with screenwriter Jon Raymond, was her most commercial project to that time, though you won’t mistake this drama of eco-terrorists who blow a dam on a southern Oregon river for a Hollywood thriller. Reichardt and longtime screenwriting partner Jon Raymond […]
