Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services … Avengers: Infinity War (2018, PG-13) is the biggest, most sprawling superhero epic yet, a comic book apocalypse that pits almost every character in the big screen Marvel Comics Universe—Iron Man, Captain […]
Wake in Fright (1971), one of the seminal works of the New Australian cinema of the seventies, is a brutal, blackly funny thriller of an urban schoolteacher (Gary Bond) posted to the Australian Outback, which is a sun-blasted nightmare as far as he’s concerned. He can’t leave fast enough when his Christmas vacation arrives, but […]
Akira Kurosawa Ran (Japan, 1985), the story of an aging warlord who hands power to his sons is loosely inspired by the story of sixteenth century warlord Mōri Motonari, who conquered his rivals and extended his kingdom with the help of his three sons. The script is firmly built on King Lear, with sons taking […]
“It’s such a fine line between stupid and clever.” – Nigel Tufnel Rob Reiner walks that fine line in his hilarious mockrockumentary This Is Spinal Tap (1984), ostensibly the portrait of a has-been metal band resurrected from a well-deserved obscurity for a disastrous comeback tour. Improv comedy veterans Michael McKean, Christopher Guest and Harry Shearer don’t […]
James Cagney became an overnight sensation as the streetwise dynamo Tom Powers, a Chicago slum kid turned brutal mob goon in The Public Enemy (1931), William A. Wellman’s archetypal gangster classic. In the first depression-era films of the mob rats blasting their way to big screen glory like Molotov cocktails, Cagney’s Tom Powers was the […]
No Country for Old Men (2007), adapted from Corman McCarthy’s novel by directors/screenwriters/auteurs-of-our-age Ethan and Joel Coen, is a perfect match of story and storyteller. Josh Brolin’s Llewelyn Moss, a cowboy in modern Texas who returns from poaching trip with a fortune in drug money, is just smart enough to outrun trouble, but he’s a […]
The apocalyptic hysteria of the zombie film has always been pitched on the edge of comedy: a horrible black joke played on humanity by a god with a sick sense of humor. Director/co-writer Edgar Wright and co-writer/star Simon Pegg’s self-proclaimed “rom-zom-com” (romantic zombie comedy) Shaun of the Dead (2004) simply nudges it over the edge. […]
With its party rock soundtrack, colorful (and at times damaged) characters, and portrait of the pornography industry on the cusp of a cultural shift, Inside Deep Throat (2005) is something of a real life Boogie Nights. Documentary directors Fenton Bailey and Randy Barbato offer the story of a grubby historical event: an explicit but otherwise […]
Dr. Moreau: What is the law? Sayer of the Law: Not to spill blood, that is the law. Are we not men? “Are we not men?” That question is at the heart of Island of Lost Souls (1932), the first adaptation of the H.G. Wells novel and (for all the changes from the novel) still […]
French filmmaker Arnaud Desplechin makes films about the messiness of families, lovers, and creative lives that can become quite messy in their telling. Ismael’s Ghosts (France, 2018) jumps abruptly back and forth in time and between biography and fiction and dreams, smudging the line between biography, fiction, and artistic imagination. Desplechin regular Mathieu Amalric is […]
