The Intervention (2016) of this indie spin on The Big Chill is a marriage intervention instigated by Annie (Melanie Lynskey). She is convinced that Ruby (Cobie Smulders) and Peter (Vincent Piazza), an eternally bickering couple, are in a toxic marriage and she’s invited the old gang to back up her plea that they stop dancing […]
Magic Mike (2012) was an underdog success story of 2012. While megabudget spectacles and potential tentpole films collapsed under the weight of heavy productions over flimsy scripts, Steven Soderbergh took a story inspired by actor Channing Tatum’s early experiences as a male stripper and a budget that wouldn’t pay for the reshoots on Battleship and […]
A year after Oliver Stone elevated the phrase “Greed is good” to a satirical double-edged mantra in Wall Street, John Carpenter put it more bluntly in They Live (1988), a scruffy little genre movie with a subversive subtext. “Why do we worship greed?” asks an pirate broadcaster in the opening scenes, as images of homeless […]
Spring Breakers (2012) is not your traditional fun in the sun spring break movie. But then you wouldn’t expect that from Harmony Korine, the self-appointed agent provocateur of American indie cinema confrontation, even with a cast that includes Disney Channel sweethearts Selena Gomez and Vanessa Hudgens. They play two of the four college girls (Ashley […]
Using sports as a metaphor for life and love is nothing new but filmmaker Gina Prince-Bythewood, a former college athlete, puts her spin on it with Love & Basketball (2000). Sanaa Lathan is the fiercely driven, hot tempered tomboy Monica, who gives her all for basketball. Omar Epps is Quincy, the son of an NBA […]
Mud (2012), the third film from director Jeff Nichols, is a story of childhood adventure steeped in the rural culture of life on the Mississippi and the mythology of Huckleberry Finn, but this boy’s adventure is also tangled in the world of adults and family bonds. Matthew McConaughey is the man called Mud, a scruffy […]
A tongue-in-cheek tribute to the black exploitation action cinema of the seventies, Black Dynamite (2009) is a dead-on parody of the sloppy filmmaking, aggressive overacting and slapdash writing of the cheapest films of the genre. Michael Jai White, who also co-wrote and co-produced the film, dons a neatly sculpted afro and a tough guy mustache […]
Reservoir Dogs (1992), Quentin Tarantino’s quotable blast of post-modern crime movie cool, is one of the most attention grabbing directorial debuts in history. Harvey Keitel, Tim Roth, Michael Madsen, and Steve Buscemi—all dressed in identical black suits with thin ties and dark glasses—are gangsters who regroup in an empty warehouse in the aftermath of jewel […]
Gun Crazy (1950), the greatest of the criminal lovers-on-the-run thriller, explodes onto the screen in a fury of sex and guns and love and violence. Directed by Joseph H. Lewis, it is a masterpiece of style and a blast of cinematic ecstasy on a budget barely bigger than a B movie. John Dall is a […]
There’s a real love of 1960s movie lore in CQ (2002), the feature film debut of Roman Coppola (son of Francis Ford, brother of Sofia, creative assistant to both). Jeremy Davies is the American in Paris hero, an aspiring director in the funky days of 1969. By days he edits a pop-art sci-fi spy adventure […]
