Elvis Presley is ostensibly the subject of The King (2018), Eugene Jarecki’s rambling road movie of a documentary. The award-winning director drives Presley’s 1963 Rolls-Royce across the US, from Mississippi and Memphis to Nashville, New York, Las Vegas, Hollywood, and elsewhere, talking to historians, musicians, members of Presley’s inner circle, and everyday Americans. Elvis centers […]
Dazed and Confused (1993) – Cinema has the unique ability to create a sensory experience vivid enough to make the past suddenly present and alive. Richard Linklater’s cinematic flashback Dazed and Confused captures a rich pageant of high-school life, circa 1976, in a mere 100 minutes, leaning on nostalgia without wallowing in it. Jason London […]
New York-based filmmaker Kelly Reichardt found great inspiration in the state of Oregon. After making Old Joy on a DIY budget, she reunited with Oregon writer Jon Raymond for an indie feature with a somewhat larger scope but the same intimate qualities. Wendy and Lucy (2008) isn’t the romantic road movie of Alexander Supertramp in […]
Debra Granik’s Winter’s Bone (2010), set in the crime and poverty of the Ozark Mountains, is a coming-of-age survival story in an outlaw culture where meth labs have replaced moonshine stills and the code of silence is enforced with pitiless finality. Jennifer Lawrence was revelation as the 17-year-old Ree, who has grown up fast to […]
It Follows (2015) is both the title and the premise of this simple but intelligent low-budget horror. The premise is like a twist on Ringu / The Ring, except that this curse is passed on through sex, which writer / director David Robert Mitchell plays with a tender sense of romance that twists into a terrible betrayal […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services … Start 2019 with some of the best films of last year. Leave No Trace (2018, PG), inspired by a true story and shot in and around Portland, Oregon, is a touching […]
Any Day Now (2012) is the kind of American drama that Hollywood used to specialize in: character based, issue-focused, emotionally-grounded, and an actor’s showcase. It’s 1979 and two gay men–Alan Cumming as a flamboyant female impersonator and Garret Dillahunt as a newly-out and still uncomfortable gay man working for a conservative legal firm–take on the […]
Ex Machina (2014) plays the man-vs.-machine story as a chamber drama. Domhnall Gleeson is the socially naïve computer programmer Caleb who wins a company contest to spend a weekend in the private retreat of visionary company CEO Nathan (Oscar Isaac), a software genius who can’t wait to show Caleb his new project: a sophisticated artificial intelligence […]
“You don’t pay for your sins in church. You pay for them on the street. All the rest is bullshit.” Mean Streets (1973) is not Martin Scorsese’s first film, but it is the film in which he came into his own. Passionate, energetic, stylistically inventive and personally driven, it is the first mature, full blooded “Martin […]
Anyone who has followed the career of Paul Schrader could fall into the trap of simply cataloguing the ways in which First Reformed (2018) is a summation of his themes and inspirations. Imagine the promotional possibilities: “From the author of “Transcendental Cinema” and “Notes on Film Noir” and the screenwriter of Taxi Driver and The Last […]
