Dear White People (2014), the feature debut of director / writer Justin Simien, is a sharp, smart, ambitious satire of race, racism, privilege, prejudice, and power at an Ivy League college that has drawn comparisons to Spike Lee. It’s a fitting comparison. Simien uses humor and provocation to explore issues of race and race relationships […]
You could describe Take Shelter (2011), the second feature from the talented Jeff Nichols, as an apocalyptic thriller, but this is a different kind of horror. Working class husband and father Curtis LaForche, played with sincere compassion and palpable anxiety by Michael Shannon, has visions of an Armageddon of Biblical proportions: black rain, Earth-scorching storms, […]
Brick (2005), the debut feature from Star Trek: The Last Jedi filmmaker Rian Johnson, puts the collected works of Raymond Chandler and Dashiell Hammett in a blender with a jigger of teenage melodrama and pours it into a high school mold. Joseph Gordon-Levitt plays things so close to his chest that he’s almost unreadable as […]
Gun Crazy (1950), the greatest of the criminal lovers-on-the-run thriller, explodes onto the screen in a fury of sex and guns and love and violence. Directed by Joseph H. Lewis, it is a masterpiece of style and a blast of cinematic ecstasy on a budget barely bigger than a B movie. John Dall is a […]
Capturing the life of Brian Wilson, the troubled genius who pushed the surf pop sound of The Beach Boys into psychedelic symphonies as he spiraled into depression, in just a few key years is a tricky proposition. Love & Mercy (2014), a biopic that parallels the boyish enthusiasm and free-flowing creative drive of young visionary […]
Reservoir Dogs (1992), Quentin Tarantino’s quotable blast of post-modern crime movie cool, is one of the most attention grabbing directorial debuts in history. Harvey Keitel, Tim Roth, Michael Madsen, and Steve Buscemi—all dressed in identical black suits with thin ties and dark glasses—are gangsters who regroup in an empty warehouse in the aftermath of jewel […]
Magic Mike (2012) was an underdog success story of 2012. While megabudget spectacles and potential tentpole films collapsed under the weight of heavy productions over flimsy scripts, Steven Soderbergh took a story inspired by actor Channing Tatum’s early experiences as a male stripper and a budget that wouldn’t pay for the reshoots on Battleship and […]
Cinema has the unique ability to create a sensory experience vivid enough to make the past suddenly present and alive. Richard Linklater’s cinematic flashback Dazed and Confused (1993) captures a rich pageant of high-school life, circa 1976, in a mere 100 minutes, leaning on nostalgia without wallowing in it. Jason London is the center of […]
Being John Malkovich (1999), a devastatingly funny portrait of unhappiness, desperation, desire, and the vicious things we do for love, catapulted Spike Jonze from music video wunderkind to visionary director and Charlie Kaufman from sitcom scribe to brilliant screenwriter. In 1999, when our obsession with celebrity was mainly fed by gossip magazines and entertainment programs, […]
The Limey (1999), Steven Soderbergh’s immediate follow-up to his sexy and stylish Out of Sight, is an equally stylish but far more austere crime drama, cool and removed and filled with regret where Out of Sight was warm and romantic and sexy. Terence Stamp is Wilson, an aging cockney criminal fresh out of prison who […]
