Peter Fonda was already a counterculture icon when he suited up in black leather and a star-spangled helmet, mounted a Harley-Davidson chopper, tossed his watch to the desert floor, and drove off with a shaggy Dennis Hopper in search of America. The film was Easy Rider (1969), an independent film produced by Fonda, directed by Hopper, […]
Jacques Demy, the most romantic of the French nouvelle vague filmmakers, loved American movies, especially musicals, but his taste for American musicals and candy-colored romance was balanced with a bittersweet sensibility. For all the energizing music and dreamy love affairs, his romances more often than not don’t really get happy endings. Kanopy presents these essentials. […]
New York-based filmmaker Kelly Reichardt found great inspiration in the state of Oregon. After making Old Joy on a DIY budget, she reunited with Oregon writer Jon Raymond for an indie feature with a somewhat larger scope but the same intimate qualities. Wendy and Lucy (2008) isn’t the romantic road movie of Alexander Supertramp in […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, video-on-demand, and other streaming services … Alice Rohrwacher won the screenwriting prize at the Cannes Film Festival for Happy as Lazzaro (Italy, 2018, PG-13, with subtitles), a modern parable of a holy innocent (first-time actor Adriano Tardiolo) that […]
Winner of the Palme d’Or at Cannes 2016 and nominated for nine Cesar awards, Jacques Audiard’s Dheepan (France, 2015) is a moving drama of alienation, assimilation, and survival. A guerilla soldier (Jesuthasan Antonythasan, a non-actor and former child soldier) in the brutal Tamil Tigers in the dying days of Sri Lanka’s civil war, burns his […]
There may be no more sensual director in the world than Hong Kong’s Wong Kar-Wai, and In the Mood for Love (Hong Kong, 2000) is one of his richest and most melancholy works, a shadow dance of would-be lovers sketched in suggestions and intimations. Maggie Cheung and Tony Leung Chiu-Wai star as next door neighbors […]
Carol Reed’s continental film noir The Third Man (1949), written by Graham Greene and starring Joseph Cotten as a cynical American pulp novelist playing detective in the rubble-strewn underworld of post-war Vienna and Orson Welles as a charming but ruthless black marketeer, is one of the true classics. The film is directed by Reed but […]
“This story is true. I give it as it is, without embellishment.” That’s an understatement of an opening remark. A Man Escaped (France, 1956) is a mesmerizing meeting of opposites: a prison escape thriller directed by the austere, introspective Robert Bresson. Based on the memoir by Andre Devigny, a member of the French Resistance imprisoned […]
Arguably the most famous of Ingmar Bergman’s films and certainly his most iconic, The Seventh Seal (Sweden, 1957) is Bergman at his most allegorical. Max von Sydow, young and blond and heroic, is a disillusioned knight returned from the Crusades in a state of spiritual desperation: his faith has been shaken by senseless death and […]
Winner of the Palme d’Or at the 1984 Cannes Film Festival, Paris, Texas (1984) was not Wim Wenders’ first American film—that would be Hammett (1982), which proved to be a dispiriting experience when producer Francis Ford Coppola decided to step in and re-edit Wenders’ vision to something more commercial (so much for the creative freedom […]
