Arguably the most famous of Ingmar Bergman’s films and certainly his most iconic, The Seventh Seal (Sweden, 1957) is Bergman at his most allegorical. Max von Sydow, young and blond and heroic, is a disillusioned knight returned from the Crusades in a state of spiritual desperation: his faith has been shaken by senseless death and […]
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, video-on-demand, and other streaming services … The weekly column is featured in The Seattle Times, The Spokesman-Review, and other newspapers. The beautifully-photographed documentary “Honeyland” (Macedonia, 2019, not rated, with subtitles) brings us into the life of a solitary beekeeper in […]
Sleek pulp crime cool meets arthouse style thriller in Drive (2011, R) starring Ryan Gosling as a taciturn getaway driver. Directed by Nicolas Winding Refn (a veteran of gritty, brutal Danish underworld dramas) with a silky smoothness and a stylized cool that recalls Le Samourai and Walter Hill’s The Driver, and an eighties vibe and […]
What’s most startling about Mohammad Rasoulof’s Iranian thriller Manuscripts Don’t Burn (Iran, 2013, not rated, with subtitles) is its audacity. Iranian filmmakers have a history of couching their criticisms of life in Iran in metaphor. This film puts its portrait of authoritarian oppression out in the open. We open on a contract murder that plays like […]
Captain Fantastic (2016) is a road movie, a family drama, a tale of loss, and a loving portrait of an alternative family that is prepared to face everything but the modern world. Viggo Mortensen is Ben, the father who (with his equally committed but currently absent wife) moved into the deep woods of the Pacific […]
In 2010, Iranian filmmaker Jafar Panahi was arrested and charged for “Propaganda against the Iranian government.” His sentence: he was forbidden to leave Iran or make any films for 20 years. 3 Faces (Iran, 2018) is the fourth feature he has made since the sentence was passed. And once again Panahi plays himself on screen, […]
Steven Soderbergh’s Che (2008) is both two features and one work, a 4 ½-hour production that carves out what Soderbergh, producer/star Benicio Del Toro, and screenwriter Peter Buchman see as the two defining periods in the life of Ernesto Che Guevara: the Cuban Revolution and the Bolivian expedition. Except for a brief scene where Guevara […]
Is there another American filmmaker who takes such joy in telling stories and spinning cinematic spells as Quentin Tarantino? I don’t mean tackling big issues or making epic statements. I’m talking about the sheer pleasure of telling audiences a tale that takes them places they don’t expect and ways they haven’t quite experienced before. The […]
Taxi Driver (1976), Martin Scorsese’s incendiary masterpiece of alienation and anger and urban anxiety may be the most maverick vision of seventies American cinema. It is certainly one of the most visceral portraits of the American urban underbelly ever put on film, a movie bathed in blood as much as in light, and almost forty years […]
Peter Fonda was already a counterculture icon when he suited up in black leather and a star-spangled helmet, mounted a Harley-Davidson chopper, tossed his watch to the desert floor, and drove off with a shaggy Dennis Hopper in search of America. The film was Easy Rider (1969), an independent film produced by Fonda, directed by Hopper, […]
