Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, video-on-demand, and other streaming services … Alice Rohrwacher won the screenwriting prize at the Cannes Film Festival for Happy as Lazzaro (Italy, 2018, PG-13, with subtitles), a modern parable of a holy innocent (first-time actor Adriano Tardiolo) that […]
Winner of the Palme d’Or at Cannes 2016 and nominated for nine Cesar awards, Jacques Audiard’s Dheepan (France, 2015) is a moving drama of alienation, assimilation, and survival. A guerilla soldier (Jesuthasan Antonythasan, a non-actor and former child soldier) in the brutal Tamil Tigers in the dying days of Sri Lanka’s civil war, burns his […]
There may be no more sensual director in the world than Hong Kong’s Wong Kar-Wai, and In the Mood for Love (Hong Kong, 2000) is one of his richest and most melancholy works, a shadow dance of would-be lovers sketched in suggestions and intimations. Maggie Cheung and Tony Leung Chiu-Wai star as next door neighbors […]
Carol Reed’s continental film noir The Third Man (1949), written by Graham Greene and starring Joseph Cotten as a cynical American pulp novelist playing detective in the rubble-strewn underworld of post-war Vienna and Orson Welles as a charming but ruthless black marketeer, is one of the true classics. The film is directed by Reed but […]
“This story is true. I give it as it is, without embellishment.” That’s an understatement of an opening remark. A Man Escaped (France, 1956) is a mesmerizing meeting of opposites: a prison escape thriller directed by the austere, introspective Robert Bresson. Based on the memoir by Andre Devigny, a member of the French Resistance imprisoned […]
Arguably the most famous of Ingmar Bergman’s films and certainly his most iconic, The Seventh Seal (Sweden, 1957) is Bergman at his most allegorical. Max von Sydow, young and blond and heroic, is a disillusioned knight returned from the Crusades in a state of spiritual desperation: his faith has been shaken by senseless death and […]
Winner of the Palme d’Or at the 1984 Cannes Film Festival, Paris, Texas (1984) was not Wim Wenders’ first American film—that would be Hammett (1982), which proved to be a dispiriting experience when producer Francis Ford Coppola decided to step in and re-edit Wenders’ vision to something more commercial (so much for the creative freedom […]
Director Fatih Akin, a German filmmaker of Turkish heritage, likes to dig deep into raw emotion and conflict, both personal and cultural. In the Fade (Germany, 2017) takes on the rise of white nationalism and domestic terrorism through the ordeal of a young widow grieving over the brutal bombing murder of her family. Diane Kruger […]
“The duelist demands satisfaction. Honor for him is an appetite.” The Duellists (1977), the feature debut of Ridley Scott, begins in 1800, “the year Napoleon became ruler of France,” with an early morning duel in a dewy green meadow where French military officer Gabriel Feraud (Harvey Keitel) runs his opponent through and then busies himself […]
Ken Loach won the Palm d’Or at the 2016 Cannes Film Festival for I, Daniel Blake (2016), a classic Loach social commentary taking on the struggles of the working classes and underclasses let down by society. This one, about a 59-year-old carpenter and widower in Newcastle recovering from a heart attack while fighting for assistance, […]
