Brad Bird directs the animated feature based on the Ted Hughes book

‘The Iron Giant’ – A boy and his robot buddy on HBO Max

“I’m the luckiest kid in the world,” cheers adolescent Hogarth, halfway to sci-fi heaven in the hand of a friendly ten story robot— a clanking metal man who acts like a combination little brother, big brother, and playful puppy dog all rolled into one magnificent structure who looks like he stepped off a vintage cover […]

Bette Davis stars in the adaptation of the Lillian Hellman play directed by William Wyler

‘The Little Foxes’ – Bette Davis reigns supreme on Amazon Prime and free on Kanopy

Bette Davis could freeze almost anyone with her icy stare, the practiced look of a woman who’s learned how to operate in the man’s world of business, in The Little Foxes (1941), director William Wyler’s film version of Lillian Hellman’s chilly play of greed and power in a Southern family on the edge of financial […]

Alfred Hitchcock’s original ‘Psycho’ on Peacock

Psycho (1960) shocked America in 1960. Suburban theatergoers headed to the theaters to see the latest offering from the director of the glamorous and sexy Rear Window and the Technicolor confection North by Northwest. Who expected the droll host of TV’s showcase for suspense, Alfred Hitchcock Presents, to get so down and dirty and tawdry. […]

Carl Th. Dreyer's 19322 horror classic

‘Vampyr’ – Classic horror as tone poem on HBO Max and Criterion Channel

Vampyr (Denmark, 1932) is a horror movie as tone poem. An early sound film shot with a distinctive and evocative silent film aesthetic, dialogue is sparse and large blocks of text (either intertitles or pages from a book of vampire lore) provide the exposition. And it’s eerily abstract film with vague motivations and ethereal imagery […]

‘The Bride of Frankenstein’ – a delirious sequel on Peacock

Director James Whale did not seek out the sequel to Frankenstein but he turned out a horror masterpiece with Bride of Frankenstein (1935), a delirious sequel that tops the original. The screenplay draws additional story elements from Mary Shelley’s novel, which are reworked for Hollywood, and weaves them in with a new, original character: Dr. […]

The original ‘Frankenstein’ on Peacock

“It’s alive! Alive! In the name of God now I know what it’s like to be God!” James Whale’s Frankenstein (1931) is the granddaddy of modern monster movies. Universal was looking to a follow up to the tremendous success of Dracula when it assigned sophomore director Whale to helm an adaptation of Mary Shelley’s famous novel […]

Albert Brooks is ‘Lost in America’ on Criterion Channel

Albert Brooks has been making his offbeat brand of satirical comedies about the neuroses and anxieties of affluent Americans, lost in the bubble of their own insular cultures, for more than 40 years. His third feature Lost in America (1985) remains his most incisive satire and most popular film. Brooks is David, a successful Los […]

The original ‘The Killers’ on Criterion Channel

The first 15 minutes of Robert Siodmak’s The Killers (1946) remains the most the most faithful adaptation of Ernest Hemingway ever put on screen. Two gunmen from the city (Charles McGraw and William Conrad) take over a small town diner to wait for their target. When he doesn’t show, they take the hit to him, […]

Clint Eastwood and Hilary Swank in 'Million Dollar Baby'

Clint Eastwood’s ‘Million Dollar Baby’ on HBO Max

Always one of America’s most undervalued directors, Clint Eastwood proved himself American cinema’s national treasure in the third act of his impressive career. Million Dollar Baby (2004), an understated, unpretentious, powerfully told drama, adapted from F.X. Toole stories by Paul Haggis, earned Eastwood his second round of Oscars for Best Director and Best Picture (his […]

Miguel Sandoval, Spike Lee, and Ossie Davis

Spike Lee’s ‘Do The Right Thing’ on Peacock

Do The Right Thing (1989), Spike Lee’s vibrant, vital, thoroughly accomplished third feature, opens on a call to action – “Fight the Power,” shouts Public Enemy in the credits – and ends with a call to “Wake up!” Rosie Perez pumps out an aggressive shout of a dance in the opening credits, staged in front […]