It’s called Room (2015). Not The Room, simply Room, as if there were no others. And for Jack (Jacob Tremblay), the five-year-old son of a young mother (Brie Larson), there aren’t. It’s his entire world, his universe, and as far as he knows nothing exists outside the walls. His mother, known only as Ma in the film, […]
In The Messenger (2009), combat veteran Will Montgomery (Ben Foster) may be “a goddamn hero,” in the words of his commanding officer, but in the final months of his enlistment he’s assigned to the most challenging mission of his career: casualty notification and the emotional minefield of civilians dealing with the death of a loved […]
“There are angels over the streets of Berlin,” insists Wim Wenders in his lyrical fantasy Wings of Desire (Germany, 1987), but these are like no angels you’ve never seen. Bundled in dark overcoats, they watch over the city with ears open to the heartbeat of the human soul, listening to the internal musings and yearnings […]
Oscar shared the wealth this year, divvying out its awards across films representing a spectrum of experiences and perspectives. Now it’s time to catch up with all those newly-minted Oscar-winning films you never got around to seeing in the theater. As luck would have it, most of them are already available to see home. Three […]
Kelly Reichardt’s Meek’s Cutoff (2010) opens without preamble. We are given a place and a year—”Oregon, 1845,” stitched into a piece of homespun embroidery—and then dropped in the high desert to observe three frontier families ford a river. They wordlessly, almost morosely, march across, then take the opportunity to fill canteens, wash and check the […]
Brie Larson earned an Oscar for her performance in Room (2015) but her breakout role was in Short Term 12 (2013), a tender and touching drama set in a facility for at risk, abandoned, or otherwise homeless kids that can’t get placement with foster families. What could be a portrait of instability and institutional failings, however, […]
