Hellboy (2004) – Before Marvel recreated the superhero movie in the context of a connected universe of characters and storylines, like the comic books that inspired them, the best comic book movies created their own, self-contained worlds. One of the best of these was Guillermo del Toro’s adaptation of Mike Mignola’s cult comic Hellboy and […]
Psycho (1960) shocked America in 1960. Suburban theatergoers headed to the theaters to see the latest offering from the director of the glamorous and sexy Rear Window and the Technicolor confection North by Northwest. Who expected the droll host of TV’s showcase for suspense, Alfred Hitchcock Presents, to get so down and dirty and tawdry. […]
There’s more knowing horror comedy and meta-horror commentary than actual tension and thrills in The Cabin in the Woods (2012), the self-aware, awfully clever love letter to the horror movie fandom from Drew Goddard and Joss Whedon. That’s fair, because scares or not, I had more fun watching Cabin than most recent horror films. Producer […]
Though it wasn’t Hammer Studio’s final film, Frankenstein and the Monster From Hell (1974) can be considered its swan song, an intelligent, inventive, stylized reworking of the themes that had sustained the series for almost two decades. Dr. Frankenstein has buried his old identity and reigns over an insane asylum as Dr. Victor (Peter Cushing […]
John Landis teaches us two things in An American Werewolf in London (1981): turning into a werewolf is a very painful process, and the dead are boring! American tourist David Naughton survives a moonlight animal attack in Northern England only to turn into a hairy, bloodthirsty beast back in London when the moon is full. […]
You could call Train to Busan (South Korea, 2016) “Zombies on a Train”—it certainly makes a catchy logline and it frames the premise accurately and succinctly—but it reduces this fleet, fierce, unexpectedly human thriller to a mere gimmick. Apart from the slyly eerie prologue, the film opens without any hint of the viral rampage to […]
The Cat O’Nine Tails (Italy, 1971), Dario Argento’s second feature, follows up his directorial debut The Bird With the Crystal Plumage in genre, style and “animal” theme (stretched into a trilogy with Four Flies on Gray Velvet). In Bird, Argento explores, pushes at, and plays with the mechanics of suspense and murder mystery spectacle in […]
British genre maven Neil Marshall howled his arrival with his werewolf combat thriller Dog Soldiers, a sly and inspired UK hit that made cult ripples stateside. With The Descent (2005), a nerve wracking, claustrophobic survival thriller about six spelunking women hunted by the creepiest cave dwellers to skitter across a screen, Marshall honed his skills […]
Tomas Alfredson’s Swedish vampire film / young love horror piece Let the Right One In (2008) is grounded in a devoted friendship that bonds two outcasts in a predatory world. Bullied schoolboy Oskar (Kare Hedebrant), a loner so blond he looks albino, meets twelve-year-old Eli (Lina Leandersson), a fellow loner hanging around the snow-covered playground of […]
The Wailing (South Korea, 2016) is a thriller that takes a dark turn into supernatural horror. Kwak Do-won is Jong-goo, a somewhat dim underachiever cop who is way over his head investigating a double homicide in his little town. Jong-goo isn’t too bright but he’s a doting father to his smart little girl and there’s […]
