The African Queen (1951) – Humphrey Bogart is Charlie Allnut, the hard-drinking captain of a sputtering steam-powered boat that gives the film its title. Katharine Hepburn is Rose Sayer, a spirited missionary spinster serving the Lord in German East Africa with her brother (Robert Morley). It’s September 1914, the early days of World War I, […]
The Matrix (1999) has become such a touchstone of American pop culture—referenced, copied, parodied, and parroted)—that it’s hard to remember just how new and different and distinctive it was when it debuted in 1999. Which is not to say that it is completely original. Image Tron as a Greek Myth, or Sim City as an […]
Peter Fonda was already a counterculture icon when he suited up in black leather and a star-spangled helmet, mounted a Harley-Davidson chopper, tossed his watch to the desert floor, and drove off with a shaggy Dennis Hopper in search of America. The film was Easy Rider (1969), an independent film produced by Fonda, directed by Hopper, […]
After three underwhelming sequels to James Cameron’s hard-wired hardware time travel thriller The Terminator (1984) in the past dozen years, it’s time to remind ourselves just how tight and clever and entertaining the original film was. Made for a mere $6 million and released in the fall of 1984 by a small independent sudio to instant […]
Rolling Stone once called The Big Lebowski (1998) “the most worshipped comedy of its generation.” I like to think of it as the Book of Duderonomy, the lost gospel of the post-modern Testament. Jeff Bridges is brilliant as the Dude, one of the most strangely centered individuals in the movies. This bowler/stoner/free spirit is mistaken […]
The Magnificent Ambersons (Criterion, Blu-ray, DVD) How did it take so long for the sophomore feature from Orson Welles to finally get its Blu-ray debut? I don’t need an answer, I’m just thrilled that it’s finally here, and in such a beautiful edition. The magnificence of The Magnificent Ambersons (1942) is apparent from the first […]
John Boorman had only one feature to his credit, the rock and roll lark Catch Us If You Can with the Dave Clark Five, when he came to Hollywood to direct the one-of-kind thriller Point Blank (1967). Boorman’s film, based on Richard Stark’s novel “The Hunter,” shuffles the story of a gunman named Walker (Lee […]
McCabe & Mrs. Miller (1971), Robert Altman’s third film since staking out his claim on 1970s cinema with M*A*S*H (1970), turns the western myth into a metaphor for the fantasy of the American Dream colliding with the power of big business. Warren Beatty is John McCabe, a drifting gambler who rides into the mining camp […]
Ride the High Country (1962), the second feature by Sam Peckinpah—and his first unqualified masterpiece—is a laconic tale about the end of the frontier that both celebrates and deconstructs the romantic view of old west nobility and heroism. He casts two old hands at the genre—Randolph Scott and Joel McCrea—as old friends and veteran lawmen […]
Orson Welles’ baroque border town murder mystery Touch of Evil (1958/1998) is a wild masterpiece, a sleazy, grimy, jittery, and ultimately dazzling work of cinematic magic. It’s considered the last great film noir and the bookend to the true noir era. It was also Welles’s last attempt at a career in Hollywood before he packed […]
