Rolling Stone once called The Big Lebowski (1998) “the most worshipped comedy of its generation.” I like to think of it as the Book of Duderonomy, the lost gospel of the post-modern Testament. Jeff Bridges is brilliant as the Dude, one of the most strangely centered individuals in the movies. This bowler/stoner/free spirit is mistaken […]
Blade Runner: The Final Cut (1981/2007) – Ridley Scott’s visionary reworking of Philip K. Dick’s novel, “Do Android’s Dream of Electric Sheep,” was a box-office flop. Maybe it was too dark for a public flying away on the fantasy of E.T. in the summer of 1982, or too downbeat for audiences looking for a Harrison […]
The title may sound like pure pulp but The Incredible Shrinking Man (1957), Jack Arnold’s screen adaptation of Richard Matheson’s novel The Shrinking Man, is compassionate, intelligent, and the most metaphysical American science fiction film until Stanley Kubrick’s 2001: A Space Odyssey. Scott Carey (Grant Williams), just a guy on a daylong boating excursion, drifts […]
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Stanley Kubrick’s screwball satire of cold war posturing and mutually assured destruction, is the funniest film ever made about nuclear holocaust. But it didn’t begin as a comedy. The source novel, Peter George’s Red Alert, was a grave contemplation of the […]
Meet Me in St. Louis (1944), Vincent Minelli’s first Technicolor film, is the ultimate in Hollywood Americana and a masterful musical that turned Judy Garland into a true leading lady. A celebration of old fashioned values in song, dance, and family melodrama in turn-of-the-century St. Louis, the glowingly nostalgic tale follows a year in the […]
The Matrix (1999) has become such a touchstone of American pop culture—referenced, copied, parodied, and parroted—that it’s hard to remember just how new and different and distinctive it was when it debuted in 1999. Which is not to say that it is completely original. Image Tron as a Greek Myth, or Sim City as an […]
Airplane! (1980, PG), the directorial debut of the writing/directing team of David Zucker, Jerry Zucker, and Jim Abrahams (who apprenticed on the screenplay of Kentucky Fried Movie), has my vote for the funniest film ever made. Ostensibly a goof on the barely remembered 1957 aviation thriller Zero Hour! (note the exclamation mark) by way of […]
Once Upon a Time in the West (1968) puts the opera into “horse opera.” Leave it to the Italians to put genuine operatic dimension into the great American saga of western expansion. Sergio Leone’s loving tribute to the myth of the American West leaves the cool, cruel mercenary world of the Clint Eastwood Dollar films […]
When Leo McCarey won the Oscar for Best Director for The Awful Truth in 1938, he reportedly accepted it with the comment, “Thank you very much, but you gave it to me for the wrong picture.” The “right picture” that McCarey was referring to is Make Way for Tomorrow (1937), the devastatingly moving story of […]
Before the 1950s, there were no teenagers in the movies, at least not as such. There were adults and children, and that awkward age in between was largely seen as, well, that awkward period in between. You had kids on the cusp, troubled young adults, and juvenile delinquents, but the teenager, with his / her […]
