Courtney Hunt directs Melissa Leo to an Oscar-nominated performance in this powerful drama of two women tossed together by necessity.
Dear White People (2014), the feature debut of director / writer Justin Simien, is a sharp, smart, ambitious satire of race, racism, privilege, prejudice, and power at an Ivy League college that has drawn comparisons to Spike Lee. It’s a fitting comparison. Simien uses humor and provocation to explore issues of race and race relationships […]
The Killing Floor (1984) is the slaughterhouse of the Chicago stockyards where Mississippi sharecropper Frank Custer (played by Damien Leake) finds work when he heads north for better opportunities during World War I. Working his way up to better-paying work as a butcher, he brings his wife (Alfre Woodard) and kids to Chicago, but he […]
Ain’t Them Bodies Saints (2013), second feature from director / writer David Lowery, plays like the cinematic answer to an outlaw folk song. Rooney Mara and Casey Affleck play lovers Ruth and Bob, young adults who grew up fast under the watch of dubious father figure Skerrit (Keith Carradine) and ended up as small-time hold-up […]
Before directing Selma and A Wrinkle in Time, Ava DuVernay made Middle of Nowhere (2012), a small story about a woman who put her aspirations on hold when her husband goes to prison. Ruby (Emayatzy Corinealdi) drops out of medical school and takes a nursing job so that she can be at home for daily calls from […]
The Intervention (2016) of this indie spin on The Big Chill is a marriage intervention instigated by Annie (Melanie Lynskey). She is convinced that Ruby (Cobie Smulders) and Peter (Vincent Piazza), an eternally bickering couple, are in a toxic marriage and she’s invited the old gang to back up her plea that they stop dancing […]
Fruitvale Station (2013) embraces simplicity to remind us of the human being behind the news story. 22-year-old Oscar Grant was killed in an unprovoked shooting by BART officers as a station stop on early New Year’s Day 2009. Ryan Coogler’s film accomplishes what so many films fail to do: put us in touch with the life […]
The strangest take on the Hans Christian Anderson fairy tale “The Little Mermaid” ever put on the screen, The Lure (Poland, 2015) is a musical-horror-fantasy-romantic tragedy from Poland about mermaid sisters with a taste for human flesh. Like the sirens of Homer’s “The Odyssey,” Silver (Marta Mazurek) and Golden (Michalina Olszanska) are feral creatures who […]