The Witch (2015) is a primal horror film rooted in fear and superstition, and there is no shortage of either in early 17th century New England, where a devout Puritan father has taken his family to start a new life. Adding to the general hardship of British village folk carving a new colony out of […]
There is a particular kind of challenge to making a movie tethered to a single, self-contained location where the dialogue is conducted almost entirely over the phone and the story plays out in real time. When it works—and look no farther than Steven Knight’s Locke (2013) with Tom Hardy navigating a life-altering action while driving […]
Debra Granik’s Winter’s Bone (2010), set in the crime and poverty of the Ozark Mountains, is a coming-of-age survival story in an outlaw culture where meth labs have replaced moonshine stills and the code of silence is enforced with pitiless finality. Jennifer Lawrence was revelation as the 17-year-old Ree, who has grown up fast to […]
The strangest take on the Hans Christian Anderson fairy tale “The Little Mermaid” ever put on the screen, The Lure (Poland, 2015) is a musical-horror-fantasy-romantic tragedy from Poland about mermaid sisters with a taste for human flesh. Like the sirens of Homer’s “The Odyssey,” Silver (Marta Mazurek) and Golden (Michalina Olszanska) are feral creatures who […]
Brick (2005), the debut feature from Star Trek: The Last Jedi filmmaker Rian Johnson, puts the collected works of Raymond Chandler and Dashiell Hammett in a blender with a jigger of teenage melodrama and pours it into a high school mold. Joseph Gordon-Levitt plays things so close to his chest that he’s almost unreadable as […]
An early example of modern American independent cinema and a landmark film in the presentation of same-sex romance in American movies, Desert Hearts (1985) follows the journey of Vivian (Helen Shaver), a college professor who arrives in Reno for a six-week stay at a vacation ranch set up for women who have come to Nevada […]
Slow West (2015), which won the Grand Jury Prize at Sundance in 2015, stars Kodi Smit-McPhee as 16-year-old Jay Cavendish, the son of Scottish aristocrats on a romantic (and foolhardy) journey to find the girl he loves on the 19th century American frontier, and Michael Fassbender as bounty hunter Silas who volunteers to be the […]
Fruitvale Station (2013) embraces simplicity to remind us of the human being behind the news story. 22-year-old Oscar Grant was killed in an unprovoked shooting by BART officers as a station stop on early New Year’s Day 2009. Ryan Coogler’s film accomplishes what so many films fail to do: put us in touch with the life […]
Aubrey Plaza goes full on stalker in Ingrid Goes West (2017), a discomfortingly funny satire of social media obsession and living virtually through online interaction goes into some dark places. And I don’t mean just the disturbing psychology of our manic heroine or the cutting commentary on the way social media dominates our lives. This […]
Raymond De Felitta’s Sundance Film Festival Audience Winner Two Family House (2000) is a sweet little romantic drama set in the insular Italian and Irish neighborhoods of 1956 Staten Island. Narrated with the conversational ease of a bar story, it stars characters actor Michael Rispoli as Buddy, a blue collar Italian American with big dreams, […]
