Todd Haynes draws from the songs, lives (real and imagined) and mysteries of Bob Dylan for his impressionistic survey of the artist, his art, his interaction (and at times collision) with the culture he both grabs onto and flees, and the mysteries that surround him.
‘The Red Shoes’ meets ‘Repulsion’ in Darren Aronofsky’s ‘jittery psychological portrait of neurosis and obsession in the ballet world.
The Asphalt Jungle (1950) is one of John Huston’s rare forays into the genre that would later be called film noir. His first, The Maltese Falcon (1941), helped set the template of the private eye noir. Ten years later, working from an adaptation of the caper novel by W.R. Burnett scripted in collaboration with the […]
The Executioner (Spain, 1963), Luis García Berlanga’s black comedy about an apprentice undertaker who marries the daughter of a veteran prison executioner and reluctantly takes his father-in-law’s job so they do not lose their government apartment, is a social satire with a sly sense of humor. Nino Manfredi plays the undertaker, a frustrated young man […]
Part Hans Christian Anderson’s The Little Mermaid, part ecological fable, and part children’s fantasy come to life, Hayao Miyazaki’s Ponyo (Japan, 2008) is a gentle storybook film, a simple, sweet tale animated with a delicacy unique to animated features. Ponyo is a water sprite, a curious undersea creature and daughter of the sea gods who […]
Children of Men (2007), Alfonso Cuaron’s adaptation of by P.D. James’ dystopian thriller, is set in a bleak, impoverished near future where two decades of infertility have created a mood of hopelessness as devastating and destructive as a nuclear holocaust. Britain has thrown up walls around the borders and is actively deporting immigrants, becoming a […]
Kelly Reichardt’s Meek’s Cutoff (2010) opens without preamble. We are given a place and a year—”Oregon, 1845,” stitched into a piece of homespun embroidery—and then dropped in the high desert to observe three frontier families ford a river. They wordlessly, almost morosely, march across, then take the opportunity to fill canteens, wash and check the […]
Ingmar Bergman created The Magician (Sweden, 1958), in the midst of his most fertile and prolific period of filmmaking. It’s a chamber drama about a travelling medicine show fronted by a mute mesmerist (Max von Sydow) that enters into a battle of wills with the Minister of Health (Gunnar Björnstrand), a rationalist who considers the […]
In Wild Strawberries (Sweden, 1957), Ingmar Bergman takes that most venerable of modern genres, the road movie, and transforms it into the contemplative journey of an aging professor into his unexamined past. Victor Sjöström, one of the great Swedish director of the silent era as well as an actor (and one of Bergman’s heroes), was […]