Vincent Price starred in all of Roger Corman’s Edgar Allan Poe adaptations but one. Ray Milland took the lead in The Premature Burial (1962), playing Guy Carrell, an aristocrat with crippling fear that he will be buried alive due to a family history of catalepsy.
Corman brings the fear home in the opening scene: an exhumation of an ancestor who shows every sign of having awoken in his casket. The obsession overtakes his life until the rather elderly newlywed moves into the family crypt, which he outfits as a Batcave of escape hatches, much to the horror of his neglected bride (Hazel Court), who observes that he has already “buried himself alive” and makes him chose the crypt or life with her.
Like most of Corman’s Poe films, the script (this one by Charles Beaumont and Ray Russell) borrows little more than the central idea and the title from Poe. This one owes as debt to Gaslight and Diabolique, and of course leans on the art direction of Daniel Haller (who created a sense of grandeur on a budget) and the widescreen color cinematography of the great Floyd Crosby, who photographed Tabu (1931) and High Noon (1952) and here gives Corman his atmosphere.
While Hammer was reviving the classic movies monsters as gothic horrors with lurid edges and color in England, Corman was creating his own Gothic horror revival with ideas influenced by Freud and Jung. Corman creates his world completely in the studio, including the grounds outside the manor, a veritable haunted forest of dead trees, ever-present mist hugging the boggy ground, and a pair of creepy gravediggers (John Dierkes and Dick Miller) constantly lurking and whistling the folk song “Molly Malone” as a dirge-like threat.
Though Carrell is supposed to be older than his lovely young wife, Milland is aged beyond the role, though he quite valiantly attempts to appear younger while also playing the haunted, sequestered, tortured soul. His bearing and deep, authoritative voice holds the center of every, whether he’s the romantic husband swept up in the promise of a happily ever after or the tormented obsessive spiraling into the madness of obsession.
Alan Napier, best known in genre circles for playing Alfred in the sixties TV Batman, has a small but delicious role as the arrogant father of the bride, a medical doctor with little affection and even less sentimentality for his son-in-law.
The Blu-ray and DVD from Kino Lorber includes Joe Dante discussing the film in the nine-minute featurette “Buried Alive!” and a video interview with Corman from the 2002 DVD release (where he explains how Milland ended up in the role rather than Price) is included, along with the “Trailers From Hell” presentation with Corman’s commentary.