Vampyr (Denmark, 1932) is a horror movie as tone poem. An early sound film shot with a distinctive and evocative silent film aesthetic, dialogue is sparse and large blocks of text (either intertitles or pages from a book of vampire lore) provide the exposition. And it’s eerily abstract film with vague motivations and ethereal imagery […]
Dr. Moreau: What is the law? Sayer of the Law: Not to spill blood, that is the law. Are we not men? “Are we not men?” That question is at the heart of Island of Lost Souls (1932), the first adaptation of the H.G. Wells novel and (for all the changes from the novel) still […]
James Whale followed up his iconic horror classic Frankenstein (1931) with the strange, sly, and sardonic The Old Dark House (1932), part haunted house terror and part spoof executed with baroque style. Boris Karloff (fresh from his star-making turn in Frankenstein) takes top billing in the supporting role of Morgan, the scarred, mute butler with […]
What Price Hollywood? (1932) is one of the wittiest and most interesting Hollywood movies about Hollywood culture ever made. It’s a shame it’s not better known. This pre-code comedy stars Constance Bennett as an aspiring actress waiting tables at The Brown Derby who gets her big break when a drunken film director (Lowell Sherman) invites […]
Dietrich & Von Sternberg in Hollywood (Criterion, Blu-ray, DVD) At the dawn of the sound era, as German movie star Emil Jannings left Hollywood to return to Germany, the actor invited Austrian-born/American-raised director Josef von Sternberg (who directed Jannings in The Last Command, 1928) to Universum Film A.G. to direct him in that studio’s first […]
Red Dust (1932), the jungle melodrama starring Clark Gable as a rubber plantation foreman in East Asia and Jean Harlow as the street smart showgirl who takes a powder from “Say-gone” (as they call the future Vietnamese city of Saigon) and lands upriver in his primitive plantation manor, is as sexy, frank, and grown-up as […]
Poil de Carotte (1932), which translates to “Carrot Top,” is Julien Duvivier’s remake of his 1925 silent success, a mix of comedy and near-tragedy in the story of a sweet, spirited kid (Robert Lynen, superb) bullied by his mother, who favors the boy’s teenage brother and sister, and ignored by his disconnected father, who has […]
