The first 15 minutes of Robert Siodmak’s The Killers (1946) remains the most the most faithful adaptation of Ernest Hemingway ever put on screen. Two gunmen from the city (Charles McGraw and William Conrad) take over a small town diner to wait for their target. When he doesn’t show, they take the hit to him, […]
Great Expectations (1946), David Lean’s handsome adaptation of Charles Dickens’ classic novel, captures the warm humor and richness of character that so many filmmakers miss in their reverent recreations of Victorian England. From the nightmarish opening sequence on the windswept graveyard where young orphan Pip (Anthony Wager) meets the desperate escaped criminal Magwitch (Finlay Currie) […]
Rita Hayworth is at her most iconic as the forties sex-bomb in Gilda (1946), a film noir classic co-starring Glenn Ford as Johnny Farrell, an American tough guy in Buenos Aires, and George Macready as Ballin Mundson, the owner of a nightclub and illegal casino who hires Johnny as his club manager. Just as in […]
The legacy of films made by and for African-American audiences before Hollywood integrated its casts is largely unknown to even passionate films buffs. They were rarely seen by white audiences in their day and were rarely preserved with the same dedication given to the maverick films of Hollywood. Netflix and Criterion Channel present over 20 […]
Humphrey Bogart is seductive in an insolent way as the screen’s smoothest Philip Marlowe in The Big Sleep (1946), Howard Hawks’ hardboiled adaptation of Raymond Chandler’s classic detective novel, and Lauren Bacall is his match as Vivian Rutledge, the spoiled socialite daughter of his client. The mystery revolves around blackmail, petty gangsters, and an underground […]
Claude Autant-Lara: Four Romantic Escapes from Occupied France (Eclipse, DVD) Confession time: I had never seen a film by French director Claude Autant-Lara before this set and frankly had no concept of his reputation beyond the distaste that the critics-turned-filmmakers of the La Nouvelle Vague held for his work. He was the tradition of quality […]
By all rights, the homecoming drama The Best Years of Our Lives (1946) should have been another well intentioned film left to the dated dustbins of history, but World War II vet William Wyler (working from an original Robert Sherwood script) put more soul into this picture than anything else in his career. Clocking in […]
Roberto Rossellini’s War Trilogy (Criterion). Roberto Rossellini had been a journeyman director working within Mussolini’s Italian film industry when he redefined his career and all but inaugurated the neo-realist movement with this trio of films made at the end of World War II. Though he was no partisan, he started working on Rome Open City […]
