In a Lonely Place (1950) hasn’t much to do with the Dorothy B. Hughes novel on which it was ostensibly based, beyond the title (one of the most evocative in noir history), the Los Angeles setting, and the murder of a young woman that puts our ostensible hero, volatile, hard-drinking Hollywood screenwriter Dixon Steele (Humphrey […]
Gun Crazy (1950), the greatest of the criminal lovers-on-the-run thriller, explodes onto the screen in a fury of sex and guns and love and violence. Directed by Joseph H. Lewis, it is a masterpiece of style and a blast of cinematic ecstasy on a budget barely bigger than a B movie. John Dall is a […]
The Breaking Point (1950), the second of three big screen adaptations of Ernest Hemingway’s To Have and Have Not, stars John Garfield as Harry Morgan, the role that Humphrey Bogart played in the original. The Howard Hawks film took great liberties with Hemingway’s story. This version is more faithful but takes its own liberties. Harry […]
The Furies (1950), the second western from genre giant Anthony Mann (after Devil’s Doorway) and his first big-budget, large-canvas production after an apprenticeship in low-budget thrillers, is a genre hybrid: a psychological western by way of a Gothic melodrama, with a dark, shadowy style right out of Mann’s earlier film noirs. Barbara Stanwyck is Vance […]
