Garfield gives one of his fiercest performances in his last film role in this film noir made in the shadow of the communist witch-hunts.
I have a soft spot for Albert Lewin, a literary Hollywood writer/producer turned director with a continental sensibility and an eye for handsome imagery (if not always cinematic storytelling). His productions tended toward literary adaptations (The Good Earth, which he produced, and The Picture of Dorian Gray, which he scripted and directed) but Pandora and […]
Anthony Mann’s The Tall Target (1951) is a rare period piece noir. This one is set in 1860 and the tall target of the title is President-elect Abraham Lincoln. Dick Powell plays the lone police detective who believes in the conspiracy to assassinate Lincoln on his journey to be sworn in as President and, in […]
The Big Night (1951), the final American film made by Joseph Losey before he fled Hollywood and the blacklist for Europe, has a title just generic enough to suggest anything from a musical extravaganza to a teen sex comedy. But vagueness aside, it’s really quite a provocative youth noir with John Drew Barrymore as an […]
Strangers on a Train (1951) is one of Alfred Hitchcock’s undisputed masterpieces, a thriller of demented wish fulfillment turned into a waking nightmare that turns on a chance meeting. Demented playboy Bruno (Robert Walker, whose insidious insincerity is unsettling from his first scene) meets champion tennis player Guy (Farley Granger). Bruno knows that Guy has […]
Arch Oboler’s Five (1951) is not the first end-of-the-world film, but it is the first to end it by nuclear holocaust: it opens on the familiar mushroom cloud and Oboler proceeds to scrubs the wonders of the world and the landmarks of civilization free of human habitation with a few simple visual effects and the […]
The original The Day the Earth Stood Still (1951) remains the most thoughtful of the first contact films. Michael Rennie makes a striking American film debut as Klaatu, the well-spoken stranger from outer space who lands his saucer in Washington D.C. to speak to the world’s leaders. They shoot first, of course, and Klaatu escapes […]
Actor, director, and playwright Sacha Guitry was a giant of French cinema as writer, director, and star of a series of witty and inventive movies from the 1930s through the 1950s. For his weirdly exuberant black comedy La Poison (1951) he gives the lead to the great Michel Simon, who plays a gruff bear of […]