Henri-Georges Clouzot was called the Hitchcock of France for his shadowy thrillers and the atmosphere of distrust and suspicion that ran through so many of his films. Diabolique (France, 1955, not rated, with subtitles), his 1955 thriller about a plot to commit a perfect murder and the wrenching tension when the corpse disappears, plays like […]
To Catch a Thief (1955), Alfred Hitchcock’s frothiest entertainment, stars Cary Grant as a reformed jewel thief on the French Riviera who immediately comes under suspicion when a cat burglar goes to work on the rich and famous staying in the local luxury hotels. Heiress Grace Kelly decides to play detective the best way she […]
Rock Hudson and Jane Wyman were so successful in Douglas Sirk’s Magnificent Obsession that they all reteamed for All that Heaven Allows (1955) as Sirk became Universal’s house melodramatist. He turned improbable plots into social commentary and pulling back the covers of middle class hypocrisy with an ironic visual style and an almost operatic emotional […]
Ingmar Bergman’s reputation is built on a foundation of introspective human dramas and personal crises steeped in philosophical discussions, conversations that scrape tender emotions and troubled relationships laid bare. And yes, his career is filled with such cinema, much of it dark, most of it very serious and all of it (to a greater or […]
The Apu Trilogy: Pather Panchali / Aparajito / Apur Sansar – In 1955 Satyajit Ray, a young graphic artist in the advertising industry, released his debut feature, a labor of love made independently over the course of two and a half years. Pather Panchali (aka Song of the Little Road, 1955), a portrait of life […]
