“I love this dirty town.” The first and only time that Burt Lancaster’s J.J. Hunsecker drops the cynical twist from his clenched smile and allows genuine appreciation cross his face in Sweet Smell of Success (1957) is when he drops that line while strolling down the nighttime streets of Broadway. It’s not a proclamation or […]
Arguably the most famous of Ingmar Bergman’s films and certainly his most iconic, The Seventh Seal (Sweden, 1957) is Bergman at his most allegorical. Max von Sydow, young and blond and heroic, is a disillusioned knight returned from the Crusades in a state of spiritual desperation: his faith has been shaken by senseless death and […]
Based on the stage play by Agatha Christie, Witness for the Prosecution (1957) isn’t opened up for the screen so much as it is perked up with witty dialogue and wily characterizations, two strengths of filmmaker Billy Wilder and writing and producing partner I.A.L. Diamond. Charles Laughton plays the legendary barrister who defies doctor’s order […]
Britain’s Hammer Studios had been making films for decades before they suddenly redefined themselves with this lurid remake of the Universal Studios horror classic. Prohibited by Universal from copying their blocky make-up (and their script for that matter), Hammer returned to Mary Shelley’s novel for inspiration for The Curse of Frankenstein (1957)… and then went […]
In Wild Strawberries (Sweden, 1957), Ingmar Bergman takes that most venerable of modern genres, the road movie, and transforms it into the contemplative journey of an aging professor into his unexamined past. Victor Sjöström, one of the great Swedish director of the silent era as well as an actor (and one of Bergman’s heroes), was […]
The Apu Trilogy: Pather Panchali / Aparajito / Apur Sansar – In 1955 Satyajit Ray, a young graphic artist in the advertising industry, released his debut feature, a labor of love made independently over the course of two and a half years. Pather Panchali (aka Song of the Little Road, 1955), a portrait of life […]
