Day of the Outlaw (1959), a western set in a snowbound mountain town on the high frontier, is one of the toughest, most tension-filled pictures from Andre de Toth, a studio filmmaker who could be counted on to bring a savage edge to his assignments. The town is already coiled like a spring thanks to […]
George Franju’s perverse and poetic Eyes Without a Face (France, 1959) is at once lyrical, haunting, and deviant, an elegantly horrifying classic of sadism and shadowy grace. A famed plastic surgeon (Pierre Brasseur), wracked with guilt over disfiguring his once beautiful daughter (Edith Scob) in car wreck, lures young woman to his secluded mansion with […]
Hammer Films’ greatest nemeses, Peter Cushing and Christopher Lee, once again square off in The Mummy (1959), the studio’s reworking of Universal’s The Mummy (with elements of The Mummy’s Tomb and The Mummy’s Ghost thrown in for good measure). Cushing stars as archaeologist John Banning, whose dig for a lost tomb results in untold treasures […]
In his first films, the acclaimed Pather Panchali and Aparajito, the great East Indian filmmaker Satyajit Ray eschewed the song and dance interludes that were part of the conventions of domestic Indian cinema. The Music Room (1959) features both song and dance but not in the way of popular cinema. They are integral parts of […]
The Apu Trilogy: Pather Panchali / Aparajito / Apur Sansar – In 1955 Satyajit Ray, a young graphic artist in the advertising industry, released his debut feature, a labor of love made independently over the course of two and a half years. Pather Panchali (aka Song of the Little Road, 1955), a portrait of life […]
The Hound of the Baskervilles (1959) (Twilight Time, Blu-ray) – Hammer Films had just launched their full color revivals of the classic movie monsters when they tackled Sherlock Holmes, giving him the Gothic treatment in a mix mystery and supernatural horror. Peter Cushing is perfectly cast as the great detective, the very embodiment of science […]
