Laurence Olivier is ‘The Entertainer’ on HBO Max

Laurence Olivier broke with the grand roles and theatrical poise of previous parts to play seedy music hall entertainer Archie Rice in John Osborne’s play The Entertainer. He reprised the role for Tony Richardson’s screen adaptation The Entertainer (1960), earning an Oscar nomination for his performance. Olivier gives his all as the gap tooth vaudevillian […]

‘Peeping Tom’ – Michael Powell’s subversive masterpiece on Amazon Prime and Criterion Channel

Michael Powell lays bare the cinema’s dark voyeuristic underside in his disturbing psychodrama Peeping Tom (1960). Handsome young Karlheinz Böhm (billed as Carl Boehm) is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (Michael Powell in a perverse cameo) […]

‘Adua and Her Friends’ on Amazon Prime Video

Adua and Her Friends (Italy, 1960) are prostitutes from a Rome brothel attempting to take charge of their own lives after their place is shut down in the aftermath of Italy’s Merlin Law, which ended legalized prostitution in 1958. Adua (Simone Signoret), a veteran of the life, has a plan to open a restaurant as […]

Jack Hawkins stars in the British caper film with military order from Basil Dearden

‘The League of Gentlemen’ – a very British heist on The Criterion Channel

Basil Dearden’s The League of Gentlemen (1960) is a sturdy and meticulous heist film built on an appreciation of teamwork, camaraderie and hard work: a professional work about professionals working. That’s the foundation of many a classic heist or men-on-a-mission thriller and this film offers it as a kind of skewed redemption for a misfit […]

Kim Jin-kyu and Lee Eun-shim in Kim Ki-young's original "The Housemaid" from South Korea

‘The Housemaid’ – The 1960 Korean classic on VOD and Criterion DVD

Kim Ki-young’s The Housemaid (South Korea, 1960) is a classic of South Korean cinema but until Criterion released the film on disc in 2013 it was largely unknown (or at least unseen) to even the most dedicated cinephile apart from its inspiration for Im Sang-soo’s 2010 remake. As I discovered, the two films couldn’t be […]