Weird, wild, and nearly incomprehensible, Seijun Suzuki’s gangster movie masterpiece Tokyo Drifter (Japan, 1967) recreates the Yakuza genre as a pop-art James Bond cartoon as directed by Jean-Luc Godard. It opens on a gangland beating on the docks of the grimy waterfront, a dynamic widescreen image in stark, overexposed black and white. As a trumpet […]
John Boorman had only one feature to his credit, the rock and roll lark Catch Us If You Can with the Dave Clark Five, when he came to Hollywood to direct the one-of-kind thriller Point Blank (1967). Boorman’s film, based on Richard Stark’s novel “The Hunter,” shuffles the story of a gunman named Walker (Lee […]
The 1960s were full of big budget wartime caper-style films—The Great Escape, Where Eagles Dare, Kelley’s Heroes, just to name a few—but none of them have the brawny machismo and wily bad boy gusto of The Dirty Dozen (1967), Robert Aldrich’s testosterone-fueled tough guy classic. Lee Marvin is the hard-as-nails Major who is “volunteered” to […]
Spider Baby (1967) is one of the greatest blasts of creative B-movie inspiration to hit American drive-ins and grindhouses. It was the solo directorial debut of Jack Hill, a low-budget film that was financed by real estate developers who wanted to get into the movie business and got stuck in limbo for years when the […]
Alain Delon is the coolest killer hit the screen, a film noir loner for the modern era, in Jean-Pierre Melville’s austere 1967 French crime classic Le Samourai (France, 1967). Delon’s impassive hitman Jeff Costello is a professional’s professional, an assassin with a face of stone, nerves of ice, and the patience of a monk. He […]
Jacques Demy, the most romantic of the French nouvelle vague filmmakers, loved American movies, especially musicals, but his taste for American musicals and candy-colored romance was balanced with a bittersweet sensibility. For all the energizing music and dreamy love affairs, his romances more often than not don’t really get happy endings. Kanopy presents these essentials. […]
Marketa Lazarova (Czechoslovakia, 1967), an epic based on one of the revered masterpieces of Czech literature (considered unfilmmable by many), was voted the greatest Czech film ever made in a 1998 poll of Czechoslovakian film critics and professionals. Yet it is all but unknown in the U.S., rarely revived and never on home video before […]
Dragon Inn (Criterion, Blu-ray, DVD) Legend of the Mountain (Kino, Blu-ray, DVD) After the success of Come Drink With Me, the pioneering wuxia pian (“martial chivalry”) adventure that mixed martial arts, romance, comic action, and historical settings, Hong Kong director King Hu went to Taiwan for the opportunity to make films with greater freedom. Dragon […]
When Sergio Leone’s sunbaked A Fistful of Dollars (1967) rode into American theaters, caked in dust and sweat and stubble, critics dismissed it a cheap western, and a European knock-off at that. It was a blatant rip-off of Akira Kurosawa’s cynical samurai hit Yojimbo with American TV star Clint Eastwood, known to audiences as the impetuous […]
Massacre Gun (Japan, 1967) – Yasuharu Hasebe, a disciple of Nikkatsu’s maverick filmmaker Suzuki Seijun, made his directorial debut with Black Tight Killers (1966), a crazy, campy spy adventure fun shot in bright, pop-art color. His follow-up feature remains in the action genre but takes a turn into the dark alleys of gangster noir with […]
